Matilde Serao Boeken

Set against the backdrop of Naples, this novel explores the stark contrasts between the wealthy elite and the impoverished, using piercing satire to critique societal corruption and moral decay. Through rich character development and intricate plotlines, it delves into themes of ambition, greed, and redemption, portraying the city as a microcosm of broader societal issues. Serao's masterful storytelling reveals the consequences of neglect and challenges readers to confront the ethical dilemmas inherent in the pursuit of wealth, making it a powerful social critique.

Set in late 19th-century Italy, the narrative explores the complexities of human relationships and the pursuit of a meaningful life amidst societal expectations. Characters navigate their desires and aspirations, revealing the tension between personal goals and societal norms. Matilde Serao's signature realism brings vivid characterizations and keen observations, offering a nuanced portrayal of Italian society. This work highlights themes of passion, identity, and the universal quest for purpose, showcasing Serao's significant contribution to realist literature.

Featuring the works of Arthur Schnitzler, this edition includes a diverse collection of poems, short stories, and essays originally in German, now translated into English. The writings delve into profound themes like love, death, and the human experience, accompanied by critical reviews of contemporary literature and art. This literary magazine not only showcases Schnitzler's contributions but also reflects the cultural milieu of early 20th century Europe, making it a significant resource for literature enthusiasts.

Matilde Serao (1856-1927), scrittrice e giornalista, pubblicò romanzi e racconti con cui sfiorò il Nobel, fondò con il marito tre giornali (tra cui “Il Mattino”) e, da sola, un quarto quotidiano, che diresse fino alla morte, distinguendosi, agli albori del regime, per ferme posizioni antifasciste. Il ventre di Napoli, la sua opera più coraggiosa e innovativa, è il primo grande reportage letterario italiano, tributo lucido e appassionato alla sua città e alla sua professione: “Dal primo giorno che ho scritto, io non ho mai voluto né saputo essere altro che una fedele e umile cronista della mia memoria”.

Román patrí k najvydarenejším a najpútavejším prozaickým dielam autorky, ktorá sa radí k popredným predstaviteľom talianskeho verizmu. Seraová neobyčajne zasvätene zozanmuje čitateľa so životom viacerých vrstiev neapolskej spoločnosti na konci minulého storočia, od tých najbiednejších až po zámožné meštiactvo. Za nepretrhnuteľné puto, ktoré spája a zároveň priepastne rozdeľuje postavy a postavičky tejto fresky, si autorka zvolila všemocnú hráčsku vášeň; v jej mene si otec ničí jedinú dcéru, manžel okráda manželku, milenec vydiera milenku, obchodník ruinuje rodiny.