Jaroslav Pelikan was een productief auteur en historicus van de christelijke leer, wiens werk zowel westerse als oosterse theologische tradities omvatte. Zijn uitgebreide studies onderzochten de ontwikkeling van het christelijk denken door de eeuwen heen en reikten vaak verder dan academische kringen om een breed publiek aan te spreken. Pelikan had een diepgaand begrip van traditie, waarbij hij onderscheid maakte tussen het levende geloof van de doden en het dode geloof van de levenden, en de nadruk legde op dialoog met het verleden.
The momentous encounter between Christian thought and Greek philosophy reached a high point in fourth-century Byzantium, and the principal actors were four Greek-speaking Christian thinkers whose collective influence on the Eastern Church was comparable to that of Augustine on Western Latin Christendom. In this erudite and informative book, a distinguished scholar provides the first coherent account of the lives and writings of these so-called Cappadocians, showing how they managed to be Greek and Christian at the same time.
In this book, the author meditates on the theological implications of Goethe's Faust. Jaroslav Pelikan reflects on Goethe's statement that he was a pantheist when it came to science, a polytheist in art, and a monotheist in ethics, and he uses it for the first time to analyze Faust's development as a theologian. By so doing, Pelikan enables us to see Goethe's masterpiece in a surprising new light. Pelikan begins by discussing Faust's role as natural scientist or pantheist. He examines Faust's disenchantment with traditional knowledge, considers his interests in geology, oceanography, and optics, and analyzes his perception of nature as a realm inspirited throughout by a single unifying Power. Pelikan next follows Faust on his journeys to the two Walpurgis Nights, where he shows how Faust reveals his delight in the polytheistic extravaganzas of Germanic and especially of Greek mythology. Finally Pelikan describes the operatic finale of the book, where Faust's spirit is drawn upward to salvation by the Eternal Feminine, and he argues that this marks Faust's evolution into moral philosopher and monotheist. Pelikan's analysis thus reveals thematic unities and a dialectical development of Faust's character that have been unnoticed heretofore.
Describes Jesus Christ's changing image throughout history, from rabbi in the first century to liberator in the twentieth, and explains how each version has shaped its era socially, politically, economically, and culturally.
Among the highly regarded works of intellectual history of the past decade. "An enlightening and often dramatic study . . . as stimulating as it is informative."--New York Times
This text explores the influence of speech and language on three
interpretations of the Sermon on the Mount, taken from the Latin and Catholic
traditions (St. Augustine), the Greek and Orthodox tradition (St. John
Chrysostom), and the reformation and Protestant tradition (Martin Luther).
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Velká monografie Joži Uprky vznikla za příležitosti stejnojmenné výstavy v Praze, kde se poprvé ve velkém rozsahu prezentovalo Uprkovo dílo. V knize naleznete jak dobové fotografie samotného umělce, jeho rodiny, přátel a významných malířských kolegů, tak převážnou část Uprkových děl. Na knize se podílela celá řada našich významných uměleckých teoretiků a autorit. Krásným způsobem dává kniha nahlédnout do zamilované Uprkovy oblasti a to Moravského Slovácka, které nebylo nikdy tak věrně a s láskou zachycené.
