Roger Luckhurst Volgorde van de boeken

Crumbling ruins, undead fiends, dark alleys and forests teeming with horrors seen and unseen: the tendrils of the Gothic have crept out of the architecture of churches, mosques and grand houses and into suburban malls, overcrowded cities, the deserted corners of the world and beyond, taking the shape of monsters from Beowulf to Gojira, Cthulhu or the wendigo to our own terrifying, warped reflections. Across time, form and media, this book traces the weaving path of the Gothic from the shadows of history to the very heart of popular culture today. With over 350 illustrations

We spend our lives moving through passages, hallways, corridors, and gangways, yet these channeling spaces do not feature in architectural histories, monographs, or guidebooks. They are overlooked, undervalued, and unregarded, seen as unlovely parts of a building’s infrastructure rather than architecture. This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals, and asylums, to the “corridors of power,” bureaucratic labyrinths, and housing estates of the twentieth century. Taking in a wide range of sources, from architectural history to fiction, film, and TV, Corridors explores how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares.

Notes on Contributors; Note on the Text; Chronology; Introduction Roger Luckhurst; Part I. Dracula in the Gothic Tradition: 1. Dracula's Pre-History: The Advent of the Vampire Nick Groom; 2. Dracula's Debts to the Gothic Romance William Hughes; 3. Dracula and the Late Victorian Gothic Revival Alex Warwick; Part II. Contexts: 4. Dracula and the Occult Christine Ferguson; 5. Dracula and Psychology Roger Luckhurst; 6. Dracula and Sexology Heike Bauer; 7. Dracula in the Age of Mass Migration David Glover; 8. Dracula and the East Matthew Gibson; 9. Dracula's Blood Anthony Bale; 10. Dracula and Women Carol Senf; Part III. New Directions: 11. Dracula Queered Xavier Aldana Reyes; 12. Dracula and New Horror Theory Mark Blacklock; 13. Transnational Draculas Ken Gelder; Part IV. Adaptations: 14. Dracula on Stage Catherine Wynne; 15. Dracula on Film 1931-1959 Alison Peirse; 16. Dracula on Film and TV, 1960 to present Stacey Abbott; Guide to Further Reading; Index

Science fiction (SF) has existed as a popular genre for around 150 years. This book offers a survey of the genre from nineteenth-century pioneers to contemporary authors, introducing the plural versions of early SF across the world, before examining the emergence of the 'scientific romance' in the 1880s and 1890s. The 'Golden Age' of writers' expansive SF pulp was concentrated in the 1930s, consolidated by best-selling writers like Isaac Asimov and Robert Heinlein. The contributors to this volume also track the increasingly diverse forms SF took from the 1950s onwards. Leading international scholars, writing in an accessible style, consider SF as a 'world' literature, referencing works from diverse traditions in Latin America, Europe, Russia and the Far East. This book combines discussion of central figures of the tradition with a new global reach.

Exploring the interplay of memory and history in 1990s literature, this collection of twelve essays offers a critical analysis from feminist, postcolonial, and queer perspectives. It delves into themes such as the politics of memory, colonial legacies, and identities shaped by race and gender. Notable works discussed include Graham Swift's Last Orders and Anne Michaels' Fugitive Pieces. The essays advocate for a nuanced critique of postmodernist approaches, emphasizing the importance of diverse interpretations in understanding contemporary literature.

Add a gurgling moan with the sound of dragging feet and a smell of decay and what do you get? Better not find out. The zombie has roamed with dead-eyed menace from its beginnings in obscure folklore and superstition to global status today, the star of films such as 28 Days Later, World War Z, and the outrageously successful comic book, TV series, and video game—The Walking Dead. In this brain-gripping history, Roger Luckhurst traces the permutations of the zombie through our culture and imaginations, examining the undead’s ability to remain defiantly alive. Luckhurst follows a trail that leads from the nineteenth-century Caribbean, through American pulp fiction of the 1920s, to the middle of the twentieth century, when zombies swarmed comic books and movie screens. From there he follows the zombie around the world, tracing the vectors of its infectious global spread from France to Australia, Brazil to Japan. Stitching together materials from anthropology, folklore, travel writings, colonial histories, popular literature and cinema, medical history, and cultural theory, Zombies is the definitive short introduction to these restless pulp monsters.

A quirky history that offers a new way of understanding the myth of the mummy's curse. Roger Luckhurst provides a startling path through the cultural history of Victorian England and its colonial possessions.

Alien, that legendary fusion of science fiction and horror, was born out of a terrible monster movie script called Star Beast. Tracing the constellation of talents that came together to produce the film, this book explores how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings.