Claudia Durastanti Boeken

A work of fiction about being a stranger in your own family and life. Both parents are deaf but couldn't be more different. Into this unlikely yet somehow inevitable union, our narrator is born and comes of age in this strange, and increasingly estranged, household split between a small village in southern Italy and New York City.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to the American moment, immersed as it is in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years

'The book of the summer ... Kept me rapt until the final page' THE TIMES 'A sharp, smart, witty modern love story. I loved it' David Nicholls, author of ONE DAY 'More than lives up to the hype ... Likely to fill the Sally-Rooney-shaped hole in many readers' lives' IRISH TIMES 'Droll, shrewd and unafraid - a winning debut' Hilary Mantel, author of WOLF HALL 'I've been pushing Exciting Times on everyone I know. Some of Dolan's pithy observations of her characters are the best I've read since Edward St Aubyn' OBSERVER 'A frankly sensational book' Pandora Sykes on THE HIGH LOW 'In the tradition of Dorothy Parker, Joan Rivers and Nora Ephron ... I found myself purring with pleasure. ...This is comic writing at the highest level' Craig Brown, DAILY MAIL When you leave Ireland aged 22 to spend your parents' money, it's called a gap year. When Ava leaves Ireland aged 22 to make her own money, she's not sure what to call it, but it involves: - a badly-paid job in Hong Kong, teaching English grammar to rich children; - Julian, who likes to spend money on Ava and lets her move into his guest room; - Edith, who Ava meets while Julian is out of town and actually listens to her when she talks; - money, love, cynicism, unspoken feelings and unlikely connections. Exciting times ensue.