Rebecca Mead is een stafschrijver voor The New Yorker, waar ze een verscheidenheid aan onderwerpen onderzoekt met haar karakteristieke inzichtelijke proza. Haar schrijven duikt in de complexiteit van het moderne leven en de maatschappij, en biedt lezers een dieper begrip van de wereld om hen heen. Door middel van nauwgezet onderzoek en elegante storytelling creëert Mead verhalen die zowel informatief als diepgaand boeiend zijn.
Exploring the intricate emotions tied to home and homeland, this memoir delves into the heartache and adventure of returning to one's native land after living abroad. It captures the bittersweet essence of departure and the complexities of identity, revealing how a collection of uncertainties shapes a person's life. Through personal reflections, the narrative offers a poignant look at belonging and the transformative power of place.
A celebration of George Eliot's life, work and greatest novel, exploring
through a mixture of literary biography, deep reading and personal memoir how
Middlemarch answers fundamental questions about life and love
A moving reflection on the complicated nature of home and homeland, and the
heartache and adventure of leaving an adopted country in order to return to
your native land.
A moving reflection on the complicated nature of home and homeland, and the heartache and adventure of leaving an adopted country in order to return to your native land—this is a “winsome memoir of departure and reversal . . . about the way a series of unknowns accrue into a life” (Jia Tolentino, author of Trick Mirror). When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she’d given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself? In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments, and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality, and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are, while never forgetting where we have been.
