James M. Lindsay Boeken

Double Self-Portrait explores doubling and reproduction in art, memory, culture, nostalgia and fatherhood. Divided by four longer, more autobiographical poems, Double Self-Portait is a deeply layered collection, one that at times speaks directly to the reader and at other times is metatextual. Bees, cicadas, music and photography swirl through these poems, bounded as they are by the resistance to and embracing of responsibility. This is a collection where the poems work individually and together, subtly building toward a single theme that slowly coalesces during the reading to create a collection that resonates in your mind long after the book is closed.

Have we entered an era of the "Imperial Congress"? How and why do members of Congress wield power over foreign policy? DOes Congress undermine the national interest when it asserts itself in foreign affairs? Congress is more active in foreign policy than at any time since the 1930s, notes James lindsay, but the important questions raised by this activism have not been fully addressed by contemporary scholars and commentors. In Congress and the Politics of U.S. Foreign Policy Lindsay offers a timely and comprehensive examination of the role the modern Congress plays in foreign policy. He shows how the resurgence of congressional activism marks a return to the pattern that was once the norm in American politics. He analyzes the distribution of decision-making authority in Congress, reviews the constraints and incentives for members of Congress to become involved in foreign policy,describes committe work, the legislative process, and other institutional structures.