Tillmans mixes photographs with large size inkjet prints and actual magazine pages. This volume features his work, which has been exhibited in art galleries and museums across Europe and the US - as well as appearing in leading fashion and music magazines.
Hardcover. Gray paper-covered boards with title printed in black on cover and spine; with photographically illustrated dust jacket. Photographs by and collected by Wolfgang Tillmans. Designed by Wolfgang Tillmans. 80 pp., with black-and-white plates throughout. 12 x 8-1/2 inches.
For artist Wolfgang Tillmans, portraiture is a collaborative process between photographer and accomplice. While Tillmans' photographs are often referred to as casual, they are actually the result of a carefully constructed process of engagement with his models. Each sitter, be they a world-famous rock star or a family member, projects both vulnerability and dignity. Presented here are a selection of some of the best of these portraits, taken between 1988 to 2001, and chosen by Tillmans himself. Subjects include filmmaker John Waters, architect Rem Koolhaas, musicians Moby and Michael Stipe, actresses Irm Hermann and Chloë Sevigny, as well as the artist's family and friends.
„I wanted to show how cars appear in typical street view, which is rarely the subject of photographs. Cars are usually avoided in photography - one waits until a car has exited a view. The ordinary presence of cars is rarely worthy of representation. It’s always the special car, or the extreme traffic jam or, of course, the exciting crash that is being pictured. The Cars pays tribute to the shapes and forms we look at every day. How much time we spend with them, sitting inside them, the endless hours we stare at a dashboard. Even if we don’t own a car ourselves, their presence is unavoidable. Cars are everywhere. Their sheer number is the most crazy thing about them. They appear in our lives with excessive omnipresence. In their volume cars intrude upon public space, and the way they occupy streets and open areas is rarely challenged. Virtually wherever there are people, there are cars and they are visually intermingling in whatever we see. We are looking at the world from a car and cars are in the foreground, the background or in between of what is in our view. Where they are, they add a tone, a note, a presence, a noise to the setting they’re in. [.]“
Wolfgang Tillmans, the first German-born artist, and first photographer, ever to be awarded Britain's prestigious Turner Prize, has become, in recent years, "Mr. Zeitgeist," as the German magazine ARt has called him. His best-known photographs, such as portraits of friends and youth culture denizens, stillifes, images of garments, and the "Concorde" series, have been shown in exhibitions and magazines throughout the world. Presenting him, however, as far more than a documentarian of Gen-X and youth culture, this major monograph on his work will present primarily unpublished land and cityscapes that have been manipulated with light during the printing process, images created without negatives, only by the use of light on photographic paper, and other abstractions. The book also includes a variety of more familiar works in which Tillmans examines the abstract qualities of nature and common, man-made goods. Wolfgang Tillmans is a remarkable publication on one of the most important artists of his generation.
Vor einem guten Jahr besuchte Wolfgang Tillmans aus Neugier die Berliner Messe „Fruit Logistica“, das führende Branchentreffen der internationalen Fruchthandelswelt.“Dort gingen mir die Augen über angesichts der verrückten Displays und der Vielfalt und Komplexheit des internationalen Fruchthandels und seiner Verarbeitungsmaschinen. Darauf reagierte ich sofort mit der Kamera, habe die Bilder aber dann erstmal liegen lassen, um sie mit Abstand betrachten zu können, obwohl ich gleich an ein Künstlerbuch im „Concorde“- Format dachte„, erzählt er. Jetzt werden die entstandenen 66 Bilder erstmals publiziert - als Künstlerbuch im Format seines 1997 in unserem Verlag erschienen Buches “Concorde".
The first in a new series on evolving forms of communication This book tracks the relationship between binary code and Leibniz's Monadology; the technological and cosmological aspects of non-Western writing systems; and the power of the alphabet song.
This title provides the best of the new crop of art school graduates in the UK, chosen through open submission. The catalogue features the work of the 47 participating artists and accompanied the exhibition that toured various gallery venues in the UK during 2009.