Gilbert Murray Volgorde van de boeken (chronologisch)

World premiere of a new version of Euripides' classic Medea. Plays in London as part of the Almeida's Greek Season. Medea's marriage is breaking up. And so is everything else. Testing the limits of revenge and liberty, Euripides' seminal play cuts to the heart of gender politics and asks what it means to be a woman and a wife. One of world drama's most infamous characters is brought to controversial new life by Almeida Artistic Director Rupert Goold (The Merchant of Venice, King Charles III, American Psycho) and award-winning writer Rachel Cusk (Outline, Aftermath).

The authoritative translation by scholar Gilbert Murray enhances the accessibility of Euripides' Bacchae, facilitating a deeper understanding of this classic work. The edition is designed for ease of interpretation, making it suitable for both new readers and those familiar with the text.

Dionysus, god of wine and ecstasy, has come to Thebes, and the women are streaming out of the city to worship him on the mountain, drinking and dancing in wild frenzy. The king, Pentheus, denouces this so-called 'god' as a charlatan. But no mortal can deny a god and no man can ever stand against Dionysus. This stunning translation, by the award-winning poet Robin Robertson, reinvigorated Euripides' devastating take of a god's revenge for contemporary readers, bringing the ancient verse to fervid, brutal life.

Exploring the intricacies of poetry, this collection delves into Aristotle's classification of poetic forms, including drama, comedy, and epic. It highlights the concept of mimesis, or life's imitation, while emphasizing the distinct characteristics of each genre. The author examines Aristotle's insights on tragedy, which seeks to portray individuals as nobler than reality, and outlines the six essential elements of tragedy: plot, character, phrasing, thought, exhibition, and song. This work serves as both a poetic anthology and a philosophical study of artistic expression.