Edmund Gosse Boeken

The classic of memoir of inter-generational strife, with an afterword from author of The Essex Serpent, Sarah Perry and an introduction from Anthony Quinn Subtitled `a study of two temperaments' Edmund Gosse's childhood memoir tells the often fractious, often comic story of Gosse's relationship with his authoritarian father.

Henrik Ibsen nació el 20 de marzo de 1828 en Skien, al sur de Cristianía, llamada hoy con su nombre más antiguo: Oslo. Alternó sus residencias en Noruega -su patria-, Alemania, Italia, y desde 1892 ya no se movió de Cristianía, donde murió en 1906. Hasta el final de su vida Ibsen marcó las llagas morales de su pueblo y de la humanidad, sin hacer caso de las voces contrarias. Desenmascaró a sus adversarios en Un enemigo del pueblo (1883); planteó la lucha entre la verdad y la mentira en El pato silvestre (1884), y la de los valores ciertos o aparentes en Casa de muñecas (1879); determinó las causas del tormento fisiológico y espiritual en Espectros (1881); en Hedda Gabler (1890) buceó en el abismo del alma femenina como foco de un problema general; debatió en La dama del mar (1888) el determinismo y el libre albedrío, formulando sugestiones novísimas, y deslumbró con la imaginación envolvente de Peer Gynt (1867), donde resuenan los ecos de las fantásticas leyendas nórdicas.

Exploring the insights of three influential French moralists, this work delves into themes of philosophy, psychology, and ethics, reflecting on social customs and etiquette in France. Its significance throughout history is underscored by a modern reformatting that enhances readability, ensuring that the text remains accessible to contemporary and future audiences. The preservation efforts highlight the book's enduring relevance across various disciplines, making it a valuable addition to the study of moral philosophy and social behavior.

This collection brings together three of Henrik Ibsen's early plays, which offer a window into the playwright's early style and themes. With a critical introduction and notes by noted Ibsen scholars Edmund Gosse and William Archer, this volume is an essential addition to any theater lover's library.

The book is a culturally significant reproduction of an original artifact, preserving its historical authenticity. It includes original copyright references and library stamps, reflecting its importance in the knowledge base of civilization. This careful reproduction allows readers to engage with the work as it was intended, maintaining the integrity of the original text and its scholarly relevance.

The book is a reproduction of a historical work, specifically designed in large print to enhance accessibility for readers with impaired vision. Published by Megali, a house dedicated to making historical texts more readable, it aims to preserve the original content while catering to the needs of those who require larger text for easier reading.

Culturally significant, this work has been preserved to maintain fidelity to the original artifact. It includes original copyright references and library stamps, reflecting its importance in the historical knowledge base of civilization. The reproduction aims to provide an authentic experience, showcasing the work's scholarly value and its connection to major libraries worldwide.

Culturally significant, this book is a reproduction of an original artifact, preserving its historical integrity. It includes original copyright references and library stamps, reflecting its importance in the knowledge base of civilization. The work aims to remain as faithful to the original as possible, providing readers with an authentic glimpse into its historical context and significance.

This book is a reproduction of a historical work, published by Megali, a company dedicated to making literature accessible to individuals with impaired vision through large print formats. The focus on accessibility highlights the importance of inclusivity in reading, ensuring that historical texts can be enjoyed by a broader audience.