Exploring the intricacies of film theory, Edward Branigan delves into the camera's movements, knowledge, and its relationship with subjects, particularly in static shots. He raises thought-provoking questions about the camera's awareness and the implications of blank screens. Engaging with the works of Wittgenstein and other film theorists, Branigan presents a comprehensive analysis of the camera's role in filmmaking, offering readers a deeper understanding of its operational dynamics.
Branigan provides a comprehensive introduction to the basic concepts of narrative theory and its relation to film - and literary - analysis. He brings together theories from both linguistics and cognitive science, and applies them to the screen.
The book presents a unique framework for understanding how color influences both art and perception, emphasizing the interplay between color impressions and everyday language, cognitive patterns, memories, and storytelling. It explores the ways in which our understanding of color is shaped by linguistic and narrative structures, offering insights into the psychological and cultural dimensions of color mobility.