Stanley Cavell was een Amerikaanse filosoof wiens werk werd gekenmerkt door een conversationele toon en frequente literaire verwijzingen. Hij werkte op het gebied van ethiek, esthetiek en de filosofie van de gewone taal. Als interpreet produceerde hij invloedrijke werken over Wittgenstein, Austin, Emerson, Thoreau en Heidegger. Zijn benadering van filosofie was diep verweven met de analyse van kunst en alledaagse spraak.
Stanley Cavell explores a genre, which he calls the melodrama of the unknown woman, through close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman, Gaslight, Now Voyager, and Stella Dallas.
This collection of essays explores Thoreau's Walden, and discusses the importance of Thoreau and Emerson on American thought
This famous collection of essays by Stanley Cavell explores a diverse range of issues from philosophy to music and drama.
This handsome new edition of Stanley Cavell's landmark text, first published 20 years ago, provides a new preface that discusses the reception and influence of his work, which occupies a unique niche between philosophy and literary studies.
This collection offers insightful essays on Shakespeare's tragedies, examining themes, characters, and the emotional depth of his works. Included is a new essay focusing specifically on "Macbeth," providing a fresh perspective on its complexities and significance within the broader context of Shakespeare's dramatic oeuvre. The essays aim to enhance understanding and appreciation of these timeless plays.
Explores how language shapes human existence, focusing on Wittgenstein's writings. The author references Emerson, Thoreau, and others to argue that Wittgenstein can be considered a "philosopher of culture."
This groundbreaking collection of contributions by leading philosophers offers a new way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself.
Stanley Cavell was one of the most distinguished and wide-ranging philosophers of his time. This posthumous volume assembles an array of writings that Cavell left behind, synthesizing into a cohesive intellectual vision unpublished works on modernity, music, skepticism, psychoanalysis, anthropology, tragedy, and the human voice.
During the '30s and '40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. Here, Cavell examines seven of those classic movies for their cinematic techniques, and for such varied themes as feminism, liberty and interdependence.
This work is Stanley Cavell's definitive expression on Emerson. The sustained effort of 30 years of labour is drawn together here for the first time into a single volume, which also contains two previously unpublished essays and an introduction by Cavell that reflects on this book and its history. schovat popis