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Eili s. Dillon

    7 maart 1920 – 19 juli 1994

    Eilís Dillon was een productieve Ierse auteur, gevierd om haar diverse literaire bijdragen, variërend van kinderboeken, detectiveverhalen tot uitgestrekte historische romans. Haar schrijven putte vaak uit Ierse erfgoed en verkende regelmatig thema's die verband houden met de Ierse onafhankelijkheid en geschiedenis. Dillon verweefde behendig ingewikkelde plots met een diep begrip van de menselijke natuur, waarmee ze zowel kritische bijval als een breed lezerspubliek verdiende. Haar vermogen om levendige personages en meeslepende omgevingen te creëren, vestigde haar als een belangrijke stem in de Ierse literatuur.

    The Island of Ghosts
    Death at Crane's Court
    Death in the Quadrangle
    The Island of Horses
    Sent to His Account
    The Lost Island
    • The Lost Island

      • 198bladzijden
      • 7 uur lezen
      4,3(4)Tarief

      Whoever can discover the lost island will find a reward and great secrets.

      The Lost Island
    • Sent to His Account

      • 157bladzijden
      • 6 uur lezen
      4,0(2)Tarief

      The story unfolds in a quiet Wicklow village threatened by a coarse entrepreneur from Dublin, viewed through the perspective of a humble, middle-aged individual who unexpectedly inherits a baronetcy. The narrative is well-crafted, providing rich background details without falling into clichés. It offers a clever commentary on societal changes and culminates in an unexpected twist, ensuring an engaging read that balances humor and depth.

      Sent to His Account
    • The Island of Horses

      • 192bladzijden
      • 7 uur lezen
      4,0(4)Tarief

      SUMMARY: When Pat and Danny visit the Island of Horses their grandmother told about,they discovered it to be a wonderful secret place, with storm ruined houses, a mountain, and beautiful wildhorses, just as she had said. When they steal one of the horses to bribe a mean shopkeeper intoconsenting to his daughter's marriage to one oftheir clan, they discover that other people,willing to do murder, are alsointerested in the island.

      The Island of Horses
    • Death in the Quadrangle

      • 160bladzijden
      • 6 uur lezen
      3,3(4)Tarief

      Set against the backdrop of academic life, this 1956 Irish detective novel offers a compelling glimpse into the intricacies and challenges of the intellectual world. Praised for its vivid portrayal, it draws comparisons to Dorothy Sayers' "Gaudy Night," highlighting its engaging narrative and rich character development. The story intricately weaves mystery with the complexities of academia, making it a notable addition to the genre.

      Death in the Quadrangle
    • Death at Crane's Court

      • 160bladzijden
      • 6 uur lezen
      3,3(19)Tarief

      Set in a hotel-sanatorium near Galway, this cozy Irish whodunnit features a new proprietor whose sadistic behavior leads to his murder shortly after he disrupts the lives of the elderly residents. The narrative blends humor and mystery, reflecting the unique charm of its setting while unraveling the intrigue surrounding the crime.

      Death at Crane's Court
    • The Island of Ghosts

      • 189bladzijden
      • 7 uur lezen
      3,5(26)Tarief

      Set on a remote Irish island, the narrative unfolds as Dara and Brendan vanish during a sailing trip, leading the village to believe they have drowned. However, their sisters, Barbara and Cait, refuse to accept this fate and embark on a daring rescue mission. Their adventure takes a dark turn when they too fall into the clutches of Mr. Webb, revealing the island's sinister secrets. The story weaves themes of bravery, sibling bonds, and the struggle against malevolence in a hauntingly atmospheric setting.

      The Island of Ghosts
    • This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      The Wild Little House