Stephanie Buck Boeken

Highlighting the first-ever exhibition of Paul Czanne's complete collection at The Courtauld Gallery, this catalogue celebrates the 75th anniversary of The Courtauld Institute of Arts. It features an exceptional array of seminal paintings, alongside rarely seen drawings and watercolors, showcasing the breadth of Czanne's artistic evolution throughout his career. The collection's significance is underscored by its quality and diversity, offering a comprehensive insight into one of the most influential artists in art history.

This is followed by an essay by Jochen Sander focusing on the so-called Darmstadt Madonna, which sheds light on the creation of this painting. Forty paintings are then shown, including full-page colour details. The book is completed by a who's who in the life and times of Hans Holbein. This explains 40 essential figures and 15 essential ideas/movements.

This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist.

Focusing on one of the most celebrated drawings of the Italian Renaissance, the book delves into the creation and significance of Michelangelo's Dream of Human Life. It contextualizes the drawing alongside related works by Michelangelo and his contemporaries, enhancing the reader's understanding of its artistic and cultural relevance. Additionally, the inclusion of letters and poems by Michelangelo provides deeper insights into the thoughts and inspirations behind this masterpiece.

Focusing on the formative years of Albrecht Dürer, this book explores his significant drawings created between 1490 and 1495, particularly during his travels in Italy. It highlights the Courtauld Gallery's notable double-sided drawing and delves into Dürer's artistic development, examining his figure studies and the evolution of his individual style. Five expert essays provide insights into his motivations, self-portraits, influences from Nuremberg workshops, and the interplay between drawing and printmaking, enhancing the understanding of his early artistic journey.

Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Living in Competition -- Part I: Critical Foundations -- 1 A New Hegemony: The Rise of Neoliberalism -- 2 Neoliberal Truths and Consequences: The Four Ds -- 3 The Cultural Powers of Neoliberalism: A Case Study -- Part II: Neoliberal Culture -- 4 The Hustle: Self-Enterprise and Neoliberal Labor -- 5 The Moods of Enterprise: Neoliberal Affect and the Care of the Self -- 6 Enterprising Democracy: Neoliberal Citizenship and the Privatization of Politics -- Conclusion: Living in Common -- Bibliography -- Glossary of Concepts -- Index

Originally published in 1901, this book presents five essays on different aspects of foreign policy, including Oliver Cromwell's approach to international affairs.

Sandro Botticelli's spectacular series of drawings on parchment of scenes from Dante's `Divine Comedy' is of the highest order of importance and rarity, and this book will be an exceptional opportunity to explore the great Renaissance master's interpretation of one of the canonical texts of world literature.

Der Leser erhält faszinierende Einblicke in den Schaffens- und Werdegang des Künstlers. Fachkundige Texte beschreiben die entscheidenden Stilphasen und Lebensstationen, den gesellschaftlichen Kontext des Wirkens wie auch die Bedeutung für nachfolgende Künstlergenerationen. Zahlreiche großformatige Abbildungen präsentieren das jeweilige Œuvre. Der Band wird durch einen ausführlichen Anhang mit tabellarischen Informationen zur Künstlerbiografie sowie eine umfangreiche Bibliographie abgerundet. „Bei seinem Tode wollten die Himmel eines der Zeichen geben, die sie beim Tode Christi gaben. Von nichts anderem spricht man hier als von dem Tode dieses vortrefflichen Mannes, der schon mit 37 Jahren sein erstes Leben beschlossen hat. Das zweite aber, das des Ruhms, das weder Zeit noch Tod unterworfen ist, wird ewig dauern.“ (Pandolfo Pico della Mirandola)