Hanru Hou Boeken

How visual art has been enriched by dance, and dance has been shaped by art, in unprecedented and exciting ways for the past fifty years. Move. Choreographing You explores the interaction between visual art and dance since the 1960s. This beautifully illustrated book, published in connection with a major exhibition, focuses on visual artists and choreographers who create sculptures and installations that direct the movements of audiences—making them dancers and active participants. Move shows that choreography is not merely about the notation of movement on paper or in film but about the ways the body inhabits sculpture and installations. The book documents some of the diverse but interconnected ways that visual art and choreography have come together over the past fifty years. Among the artists whose work helped to forge the art-dance connection are Allan Kaprow, Robert Morris, Lygia Clark, Bruce Nauman, Trisha Brown, Simone Forti, Franz West, Mike Kelley, Isaac Julien, and William Forsythe. Artists from a younger generation who helped to bring the worlds of art and dance together are also looked at—Trisha Donnelly, Christian Jankowski, and Tino Sehgal among them. Move also features new commissions by leading international artists and reconstructions of important works from the past as well as an illustrated contextual archive and timeline.

In today's world, the Asian megapolis is a reality that is reconfiguring both East and West, old world and new, and is as much a cultural phenomena as a demographic or architectural one. It is currently predicted that in the year 2000 there will be 15 cities in Asia with more than 15 million people each, and that more than 50 million will be living in the Tokyo-Osaka corridor. Cities on the Move is the first publication to confront this rapidly changing social, urban, and suburban landscape primarily from the point of view of those Asian artists, architects, and intellectuals who are currently already part of this emerging world. The result is a massive, kaleidoscopic volume which presents a multitude and variety of projects, plans, ideas, artworks, and observations which are not easily summarized. Like a documenta of the East, this book attempts nothing less than an expansive, inclusive forum and interchange -- an avant-garde symposium -- for those figures whose work by its very nature requires the contemplation of urban Asia

The book highlights Alexandra Munroe's role as the Senior Curator of Asian Art at Samsung and her position as Senior Advisor for Global Arts at the Solomon R. Guggenheim Museum in New York. It emphasizes her contributions to the field of art, particularly in Asian art, showcasing her influence and expertise within prestigious institutions.

One of China's most exciting contemporary artist

Born in the Chinese town of Qindao in 1954, artist Qin Yufen has spent the last 15 years living and working in Berlin, a cross-cultural biography that in many ways is reflected in her site-sensitive installation work. Combining western artistic techiniques with such symbolically eastern materials as bamboo, rice paper, and silk, Qin engages an ongoing dialogue between form and content, regionalism and internationalism, and East and West. At times serious, humorous, sublime, and simple, the aesthetics of her painterly sculptures have been compared with traditional Chinese poetry, especially in her use of metaphor. This catalogue contextualizes three of Qin's recent installations in Germany within her larger body of work.

Das Buch zur großen Retrospektive von Yayoi Kusama 2021 im Gropius Bau, Berlin. Yayoi Kusama. Eine Retrospektive enthält wegweisendes neues Forschungs- und Archivmaterial zum Œuvre der japanischen Künstlerin, einschließlich Foto- und Filmdokumentationen. Der Fokus liegt auf Yayoi Kusamas Ausstellungen der frühen 1960er Jahre in Deutschland und Europa sowie der großen Bandbreite ihres über achtzigjährigen Schaffens. Neue Essays von elf renommierten Autor*innen beleuchten Kusamas Arbeit aus verschiedenen Perspektiven und richten den Blick auf bislang wenig beachtete Aspekte. So wird etwa das Engagement der Künstlerin für politische und soziale Themen in Europa, Amerika und Japan untersucht.

Das Buch liefert einen Überblick über die textilen Arbeiten aus den letzten zwei Lebensjahrzehnten von Louise Bourgeois. »Ich war schon immer fasziniert von der magischen Kraft der Nadel. Nadeln werden benutzt, um einen Schaden zu beheben. Sie sind eine Forderung nach Vergebung.« Für diesen Werkkomplex verwendete die Künstlerin Kleidungsstücke aus allen Bereichen ihres Lebens, später erweiterte sie ihn um andere Textilien wie Bettwäsche, Tapisserien und Stickereien. In Bourgeois’ textilen Arbeiten setzen sich die Themen Identität und Sexualität, Trauma und Aufarbeitung, Schuld und Wiedergutmachung fort. Sie dienen als Metaphern emotionaler und psychologischer Zustände. Der Katalog, der zur Ausstellung in der Hayward Gallery und dem Gropius Bau erscheint, zeigt zahlreiche Arbeiten, wie die monumentalen Cell Installationen, figurative Skulpturen oder abstrakte Stoffzeichnungen.