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Quasi una fantasia

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This collection covers a wide range of topics, from a moving study of Bizet’s Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno’s “dialectical portrait” of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.

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Quasi una fantasia, Theodor W. Adorno

Taal
Jaar van publicatie
2011
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Titel
Quasi una fantasia
Taal
Engels
Uitgever
Verso Books
Jaar van publicatie
2011
Formaat
Paperback
Aantal pagina's
348
ISBN10
1844677923
ISBN13
9781844677924
Reeks
Oorspronkelijke titel
Quasi una fantasia
Beoordeling
4,15 van 5
Aantekening
This collection covers a wide range of topics, from a moving study of Bizet’s Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno’s “dialectical portrait” of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.