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A Literature of Their Own

British Women Novelists from Brontë to Lessing

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Readers of this new, enlarged edition of the classic feminist study of British women novelists will find themselves delighted by Elaine Showalter's astute and acerbic critical intelligence. Showalter is one of the few scholars who can make her readers rush to their bookshelves to refute her point, or simply to experience again Jane Eyre , The Mill on the Floss , or the bitterly illuminating stories of Katherine Mansfield. Her chief innovation is to place the works of famous women writers beside those of the minor or forgotten, building a continuity of influence and inspiration as well as a more complete picture of the social conditions in which women's books have been produced. She has added a new introduction recounting, with justifiable pleasure, how daring and controversial her study seemed when it first appeared in 1977 (and how many enemies it made her). In an afterword, she touches on more recent developments in the women's novel in Britain, including the influence of the dazzling Angela Carter. --Regina Marler

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A Literature of Their Own, Elaine Showalter

Taal
Jaar van publicatie
1982
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Titel
A Literature of Their Own
Ondertitel
British Women Novelists from Brontë to Lessing
Taal
Engels
Uitgever
Virago Press
Jaar van publicatie
1982
Formaat
Paperback
Aantal pagina's
378
ISBN10
0860682854
ISBN13
9780860682851
Reeks
Beoordeling
4,05 van 5
Aantekening
Readers of this new, enlarged edition of the classic feminist study of British women novelists will find themselves delighted by Elaine Showalter's astute and acerbic critical intelligence. Showalter is one of the few scholars who can make her readers rush to their bookshelves to refute her point, or simply to experience again Jane Eyre , The Mill on the Floss , or the bitterly illuminating stories of Katherine Mansfield. Her chief innovation is to place the works of famous women writers beside those of the minor or forgotten, building a continuity of influence and inspiration as well as a more complete picture of the social conditions in which women's books have been produced. She has added a new introduction recounting, with justifiable pleasure, how daring and controversial her study seemed when it first appeared in 1977 (and how many enemies it made her). In an afterword, she touches on more recent developments in the women's novel in Britain, including the influence of the dazzling Angela Carter. --Regina Marler