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For roughly a decade, from 1992 to 2002, Joachim Brohm undertook a photographic project of long-term urban observation. At the same location on the outskirts of a German city, he took hundreds of pictures of redevelopment, recording the place as it was transformed from a 1950s commercial/industrial district into a gentrified post-industrial services center and living area. In a meditative response to these changes, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the developments during this period. Brohm's pictorial idiom--characterized by a dissolved center, with layering and composition referencing the continuation of space beyond the frame's limits--is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.
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Joachim Brohm, Regina Bittner, Joachim Brohm, Oliver Kossack, Urs Stahel
- Taal
- Jaar van publicatie
- 2003
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- Joachim Brohm
- Ondertitel
- Areal
- Taal
- Engels
- Auteurs
- Regina Bittner, Joachim Brohm, Oliver Kossack, Urs Stahel
- Uitgever
- Steidl
- Jaar van publicatie
- 2003
- Formaat
- Hardcover
- Aantal pagina's
- 264
- ISBN10
- 3882438789
- ISBN13
- 9783882438789
- Reeks
- Tags
- Non-fictie, Kunst / Cultuur, Fotograferen, Ecologische thematiek, Dagelijks leven Geschiedenis, Natuurobservatie, Stedelijke Ontwikkeling
- Aantekening
- For roughly a decade, from 1992 to 2002, Joachim Brohm undertook a photographic project of long-term urban observation. At the same location on the outskirts of a German city, he took hundreds of pictures of redevelopment, recording the place as it was transformed from a 1950s commercial/industrial district into a gentrified post-industrial services center and living area. In a meditative response to these changes, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the developments during this period. Brohm's pictorial idiom--characterized by a dissolved center, with layering and composition referencing the continuation of space beyond the frame's limits--is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.