Meer over het boek
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'
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Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs
- Taal
- Jaar van publicatie
- 2014
- Bindwijze
- (Paperback),
- Staat van het boek
- Goed
- Prijs
- € 6,99
Betaalmethoden
Nog niemand heeft beoordeeld.
- Titel
- Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
- Auteurs
- Lester Bangs
- Uitgever
- Profile Books
- Jaar van publicatie
- 2014
- Formaat
- Paperback
- Aantal pagina's
- 416
- ISBN10
- 1781252777
- ISBN13
- 9781781252772
- Reeks
- Tags
- Non-fictie, Kunst / Cultuur, Historisch thema, Geschiedenis, Waargebeurde verhalen, Muzikale thematiek, Muziek, 20e Eeuw, Opiniejournalistiek & Essays, Journalistiek en Publiciteit, Kritiek, Populaire cultuur, Rock, Populaire muziek
- Aantekening
- Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'


