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English Literary Criticism

The Renascence

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Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.

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English Literary Criticism, J.W.H. Atkins

Taal
Jaar van publicatie
2021
Bindwijze
(Overige)
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Titel
English Literary Criticism
Ondertitel
The Renascence
Taal
Engels
Uitgever
Routledge
Jaar van publicatie
2021
Formaat
Overige
Aantal pagina's
382
ISBN10
1000378802
ISBN13
9781000378801
Reeks
Tags
Aantekening
Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.