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Cambridge Film Classics

Deze serie duikt in het rijke filmische verleden en biedt frisse perspectieven op iconische cinematografische prestaties. Elk deel onderzoekt baanbrekende werken door de lens van het 'nieuwe auteurschap', dat films erkent als producten van complexe bureaucratische, technologische, intellectuele en persoonlijke krachten. Deze beknopte, grensverleggende herbeoordelingen zijn geschreven door innovatieve academici en critici. De collectie is essentiële lectuur voor iedereen die de kunst van de film en de veelzijdige creatieve oorsprong ervan wil begrijpen.

The Films of Michelangelo Antonioni
The Films of Roberto Rossellini
The Films of Jean-Luc Godard
The Films of Joseph Losey
The Films of Woody Allen
Ingmar Bergman a jeho filmy

Aanbevolen leesvolgorde

  • Jedna z posledních shrnujících studií o Bergmanově díle je prací profesora filosofie a filmové vědy na Vassar Colledge. Autor se zaměřil na hlavní témata, která se objevují v Bergmanových filmech v jeho různých tvůrčích etapách. Pokouší se o jakousi „geografii duše“ tohoto tvůrce, který vtiskl své osobní tázání, nejintimnější problémy do svých vrcholných děl. V šesti kapitolách Kalin zkoumá jednotlivé okruhy problémů na osmi vybraných filmech. Jeho analýza jde do nitra filmu, někdy se jedná přímo o pitvání scén okénko po okénku. Kniha je doplněna bohatým obrazovým aparátem, který je při takto pojatém díle o filmu nezbytným doplňkem.

    Ingmar Bergman a jeho filmy
  • The Films of Woody Allen is the first full-length study of Woody Allen the artist as opposed to the celebrity and personality and argues that Allen is a major artistic force. On the cutting edge of contemporary critical and cultural consciousness, Allen challenges our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. A student and admirer of the classic Hollywood cinema, Allen combines this appreciation for American directors with a developed sensitivity to experimental European directors such as Fellini, De Sica and Bergman. Probably the most widely recognized aspect of his work involves his films that experiment with narrative, plot and psychology. In the films dating from the early seventies, Allen develops into one of America's great innovative directors as he takes his brilliant comic impulses seriously. His technical, literary, visual and linguistic innovations introduce intensity and complexity to his humour. Instead of continuing on the path of zany comedy, he carefully creates films that form an original union of the serious and comic.

    The Films of Woody Allen
  • 4,8(5)Tarief

    Focusing on the work of expatriate director Joseph Losey, this book offers in-depth analysis of five significant and complex films that highlight his unique contributions to cinema. Through detailed examination, it explores the themes, stylistic choices, and cultural impact of Losey's work, providing insights into his artistic vision and legacy in film history.

    The Films of Joseph Losey
  • Focusing on the significance of Godard's films, the work explores their impact on both modernist and postmodernist art. It delves into how Godard's innovative storytelling and visual techniques have influenced contemporary artistic expressions, making a case for his pivotal role in shaping cinematic language and aesthetics. Through analysis, the book highlights the intersection of film and art, emphasizing Godard's contributions to the evolution of cultural narratives.

    The Films of Jean-Luc Godard
  • The Cambridge Film Classics series explores classic films through the lens of "new auteurism," emphasizing the intricate interplay of various forces in filmmaking. Each volume focuses on a specific director, offering insights into their life and career, along with critical essays analyzing key films and a comprehensive filmography. This approach allows for a deeper understanding of the director's impact on cinema and the broader cultural context of their work.

    The Films of Michelangelo Antonioni