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Cambridge Film Handboeken

Deze serie duikt diep in individuele films en biedt een uitgebreide analyse vanuit diverse theoretische, kritische en contextuele perspectieven. Elk deel biedt waardevolle achtergrondinformatie en inzichten in de cinematografische, artistieke, culturele en sociopolitieke betekenis van specifieke films. Essays van vooraanstaande filmwetenschappers en critici worden aangevuld met filmografieën en geselecteerde bibliografieën voor verdere studie.

Alfred Hitchcock's Rear Window
Roberto Rossellini's Rome Open City
The Coen Brothers' Fargo
Francis Ford Coppola's The Godfather Trilogy

Aanbevolen leesvolgorde

  • Among the most elaborate examples of crime film, the films in The Godfather trilogy provide a complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is reexamined from a variety of... číst celé

    Francis Ford Coppola's The Godfather Trilogy
  • This volume explores Fargo from a variety of methodological perspectives. Providing a detailed account of the film's production, reception and place within the career of the Coen brothers, it explores issues and themes that are important to current film discourse, including genre, gender and sexuality, race, history, culture and myth. schovat popis

    The Coen Brothers' Fargo
  • Offering a fresh examination of Rear Window, this volume explores the film from multiple perspectives, delving into its themes, character dynamics, and cinematic techniques. It invites readers to consider the narrative's complexities and its impact on the thriller genre, while also analyzing its cultural significance and the psychological implications of voyeurism presented in the story. This comprehensive analysis enriches the understanding of the film's artistry and its enduring relevance in cinema history.

    Alfred Hitchcock's Rear Window