John Cage Boeken

Letters of an avant-garde icon This selection of over five hundred letters gives us the life of John Cage with all the intelligence, wit, and inventiveness that made him such an important and groundbreaking composer and performer. The missives range from lengthy reports of his early trips to Europe in the 1930s through his years with the dancer Merce Cunningham, and shed new light on his growing eminence as an iconic performance artist of the American avant-garde. Cage's joie de vivre resounds in these letters—fully annotated throughout—in every phase of his career, and includes correspondence with Peter Yates, David Tudor, and Pierre Boulez, among others. Above all, they reveal his passionate interest in people, ideas, and the arts. The voice is one we recognize from his writings: singular, profound, irreverent, and funny. Not only will readers take pleasure in Cage's correspondence with and commentary about the people and events of a momentous and transformative time in the arts, they will also share in his meditations on the very nature of art. A deep pleasure to read, this volume presents an extraordinary portrait of a complex, brilliant man who challenged and changed the artistic currents of the twentieth century. Publication of this book is funded by the Beatrice Fox Auerbach Foundation Fund at the Hartford Foundation for Public Giving.

Composed over the course of 16 years, 'John Cage's diary: How to improve the world (you will only make matters worse)' is one of his most prescient and personal works. A repository of observations, anecdotes, obsessions, jokes and koan like stories, the diary registers Cage's assessment of the times in which he lived as well as his often uncanny predictions about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from postwar music to Watergate, from domestic minutiae to ideas on how to feed the world. Typing on an IBM Selectric, Cage used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation and--in the case of Part Three (published as a Great Bear pamphlet by Something Else Press)--color. The beautiful and unusual visual variances become almost musical as the physicality of the language on the page suggests the sonic. This first complete hardcover edition collects all eight parts Cage originally published in A Year from Monday, M and X. Coeditors Kraft and Biel have consulted these publications along with Cage's original manuscripts, and--with the Great Bear pamphlet as a guide--they have used chance operations to render the entire text in various combinations of red and blue as well as apply a set of 18 typefaces to the entire work. Composer, philosopher, writer and artist, John Cage (1912-92) is one of the most influential figures of the 20th century. A pioneer in extending the boundaries of music, often composing works through chance operations, Cage also had an extraordinary impact on dance, poetry, performance and visual art

Colour is fundamental to life and art: yet so diverse is it that it has hardly ever been studied in a comprehensive way. Is it above all a visual stimulus? A function of light, or a material substance to be moulded and arrayed? What does the language of colour tell us? Where does one colour begin and another end?

A wide-ranging and engaging introduction to the place and power of color in life and art by John Gage, author of the award-winning Color and Culture.

Silence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, "to find a way of writing which comes from ideas, is not about them, but which produces them." Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called "writing through").

"Written in his characteristic "mesostics" (lines of prose poetry linked by a central vertical acrostic), Composition in Retrospect is a statement of methodology in which composer John Cage examines the central issues of his work: indeterminacy, imitation, variable structure and contingency. Finished only shortly before his death in 1992, Composition in Retrospect completes the documentation of Cage's thought that began with his classic book Silence (1961), but it is an introduction and invitation to his work as much as a summary or conclusion. Also included in this volume (at Cage's request) is "Themes and Variations, " a piece written in 1982 about friends and heroes such as Jasper Johns, Buckminster Fuller, Marcel Duchamp and Erik Satie. Together these pieces form a book that is both a testament to the artists Cage admired and a clear statement of his own ars poetica."--Résumé de l'éditeur

"Is colour just a physiological phenomenon? Does colour have an effect on feelings? This study argues that the meaning of colour, like language, lies in the particular historical contexts in which it is experienced. Three essays introduce the subject, and the remaining chapters follow themes of colour chronologically, from the early Middle Ages to the 20th century. Topics covered include medieval colour-symbolism, the earliest history of the prism, Newton's optical discoveries, 19th-century psychologists and colour, and 20th-century literature on colour in art." - product description.

Examines the life and work of the noted landscape painter and discusses his background and technique, including his training and working methods