Yiyun Li Boeken

The oldest written story on Earth, retold for children

Brilliant and original, `A Thousand Years of Good Prayers' introduces a remarkable first collection of stories about China from an author set to become a major literary talent.

The much-anticipated first novel from the Guardian First Book Award-winning Chinese writer acclaimed by Michel Faber as having 'the talent, the vision and the respect for life's insoluble mysteries to be a truly fine writer.'

'Any new book by Yiyun Li is a cause for celebration' Sigrid Nunez 'One of our finest living authors' New York Times

'One of our finest living authors ... propulsively entertaining' New York Times 'Sly, profound ... Electrifying' Observer 'Wonderfully strange and alive' Jon McGregor

'Days- the easiest possession. The days he had refused would come, one at a time. They would wait, every daybreak, with their boundless patience and indifference, seeing if they could turn me into an ally or an enemy to myself.' A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best- on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone. Taking the form of a dialogue between mother and son, Where Reasons End is an extraordinary portrait of parenthood, in all its painful contradictions of joy, humour and sorrow, and of what it is to lose a child.

"Yiyun Li's searing personal story of hospitalizations for depression and thoughts of suicide is interlaced with reflections on the solace and affirmations of life and personhood that Li found in reading the journals, diaries, and fiction of other writers: William Trevor, Katherine Mansfield, and more"-- Provided by publisher

Lilia Liska is eighty-one. She has shrewdly outlived three husbands, raised five children and seen the birth of seventeen grandchildren. Now she has turned her keen attention to a strange little book published by a vanity press- the diary of a long-forgotten man named Roland Bouley, with whom she once had a fleeting affair. Drawn into an obsession over this fragment of intimate history, Lilia begins to annotate the diary with her own, rather different version of events. Gradually she undercuts Roland's charming but arrogant voice with her sharply incisive and deeply moving commentary. She reveals to us the surprising, long-held secrets of her own life. And she returns inexorably to her daughter, Lucy, who took her own life at the age of twenty-seven. How does the past shape the future? How do we live in the face of the unanswerable? Must I Go considers these questions underlying an extraordinary life, exploring both the painfully finite nature of human life and the infinite depths of human beings.

A reader's companion for Tolstoy's epic novel, War and Peace, inspired by the online book club led by Yiyun Li. For the writer Yiyun Li, whenever life has felt uncertain, War and Peace has been the novel she turns to. In March 2020, as the pandemic tightened its grip, Li and A Public Space launched #TolstoyTogether, a War and Peace book club, on Twitter and Instagram, gathering a community (that came to include writers such as Joyce Carol Oates, Garth Greenwell, and Carl Phillips) for 85 days of prompts, conversation, succor, and pleasure. It was an experience shaped not only by the time in which they read but also the slow, consistent rhythm of the reading. And the extraordinary community that gathered for a moment each day to discuss Tolstoy, history, and the role of art in a time like this. Tolstoy Together captures that moment, and offers a guided, communal experience for past and new readers, lovers of Russian literature, and all those looking for what Li identifies as "his level-headedness and clear-sightedness offer[ing] a solidity during a time of duress.