Der Bildhunger der Literatur

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This collection features a diverse range of essays exploring the interplay between images, texts, and cultural narratives. W. Amann examines the construction of national identities through Kant's philosophy, while R. Baasner reflects on the role of the reviewer in shaping literary perceptions. H.-P. Bayerdörfer delves into the theatrical history surrounding Goethe's work, and K.-M. Bogdal discusses the poetics of late modernity in Germany. M. Bollacher analyzes Herder's cultural theory, and P. J. Brenner traces the evolution of text-image relationships from Gutenberg to Bill Gates. D. Burdorf explores Rilke's creative output, while W. Erhart considers Wolfgang Koeppen's cinematic legacy. A. Geisenhanslüke discusses the implications of image prohibition in the works of Kant, Lyotard, and Kafka. G. v. Gemert investigates national imagery in German and Dutch literature, and O. Gutjahr presents insights into Lulus's portrayal. A. Hölter reflects on Raphael's Parnass fresco, and W. Jung challenges the notion of literature as a mere window to reality. Other contributions address themes of memory, patriotism, and the visual representation of literary works, culminating in a rich discourse on the significance of images in cultural contexts.