The Prima Donna and Opera, 1815-1930

Focusing on a collective of working artists rather than a single figure, this book explores the lives of both celebrated and obscure opera singers, examining their professional journeys within a broader historical context. It delves into the social, cultural, and political influences that shaped their experiences and artistic expressions. Key themes include the evolving image of the singer, the role of stage mothers and patrons, vocal training, and the dynamics of the operatic marketplace, alongside an analysis of performance conventions.