Auto-ethnography as Performance Practice in an African Context

The book critically examines devised performances, exploring how the definition of performance evolves within specific African contexts. Through an auto-ethnographic approach, the author reflects on the creative processes behind three performances, emphasizing the interplay of personal, public, and political themes. It highlights the significance of collaboration in research and creativity, introducing concepts like the "methodology of not knowing" and the need to redefine performance. The work interrogates moral, cultural, and political dynamics, offering insights into the transformative nature of performance practice.