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For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, The Scream (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: In reality, my art is a free confession, an attempt to clarify to myself my own relation to life... Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism.
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Edvard Munch 1863-1944, Ulrich Bischoff
- Taal
- Jaar van publicatie
- 1999
- Bindwijze
- (Paperback)
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- Titel
- Edvard Munch 1863-1944
- Ondertitel
- Imagens de vida e de morte
- Taal
- Portugees
- Auteurs
- Ulrich Bischoff
- Uitgever
- Taschen
- Jaar van publicatie
- 1999
- Formaat
- Paperback
- Aantal pagina's
- 96
- ISBN10
- 382286126X
- ISBN13
- 9783822861264
- Reeks
- Beoordeling
- 4,35 van 5
- Aantekening
- For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, The Scream (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: In reality, my art is a free confession, an attempt to clarify to myself my own relation to life... Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism.