De favoriet van de lezers is momenteel uitverkocht.
Parameters
- 168bladzijden
- 6 uur lezen
Meer over het boek
In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. According to Deleuze, Leibniz also anticipates contemporary views of event and history as multifaceted combinations of signs in motion and of the “modern” subject as nomadic, always in the process of becoming.
Een boek kopen
The Fold, Gilles Deleuze, Tom Conley
- Taal
- Jaar van publicatie
- 1994
- Bindwijze
- (Paperback)
Zodra we het ontdekt hebben, sturen we een e-mail.
Betaalmethoden
We missen je recensie hier.
- Titel
- The Fold
- Ondertitel
- Leibniz and the Baroque
- Taal
- Engels
- Auteurs
- Gilles Deleuze, Tom Conley
- Uitgever
- University of Minnesota Press
- Jaar van publicatie
- 1994
- Formaat
- Paperback
- Aantal pagina's
- 168
- ISBN10
- 0816616019
- ISBN13
- 9780816616015
- Reeks
- Categorieën
- Tags
- Filosofisch thema, Kunst, Architectuur, Frankrijk, Wetenschappelijke Theorien, God, Metafysica, Zielen, Barok
- Eerste editie
- 1988
- Oorspronkelijke titel
- Le Pli: Leibniz et le baroque
- Beoordeling
- 4,35 van 5
- Aantekening
- In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. According to Deleuze, Leibniz also anticipates contemporary views of event and history as multifaceted combinations of signs in motion and of the “modern” subject as nomadic, always in the process of becoming.