
Over de liefde
Door de Schrijver van de Geschiedenis van de Schilderkunst in Italië en van de Levens van Haydn, Mozart en Metastasio
Boekbeoordeling
Parameters
- 384bladzijden
- 14 uur lezen
Meer over het boek
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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Over de liefde, Anton van der Niet, Stendhal, Carly Misset
- Taal
- Jaar van publicatie
- 1981
- Bindwijze
- (Paperback)
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- Titel
- Over de liefde
- Ondertitel
- Door de Schrijver van de Geschiedenis van de Schilderkunst in Italië en van de Levens van Haydn, Mozart en Metastasio
- Taal
- Nederlands
- Auteurs
- Anton van der Niet, Stendhal, Carly Misset
- Uitgever
- De Bezige Bij
- Jaar van publicatie
- 1981
- Formaat
- Paperback
- Aantal pagina's
- 384
- ISBN10
- 9023415272
- ISBN13
- 9789023415275
- Reeks
- Categorieën
- Tags
- Historisch thema, Filosofisch thema, Liefde, Frankrijk, Relaties, 19e Eeuw, Levensverhalen, Franse literatuur, Leven, Emoties, Matrimonium, Dagboeken, Passie, Jaloezie, Schoonheid, Liefdesrelaties, Sociale Psychologie, Menselijk Gedrag, Sociaal Gedrag, Gustav Klimt, 1862-1918, Naties
- Eerste editie
- 1822
- Oorspronkelijke titel
- De l'Amour
- Beoordeling
- 3,75 van 5
- Aantekening
- This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.