Stendhal, geboren als Henri-Marie Beyle, was een 19e-eeuwse Franse schrijver, gevierd om zijn scherpe psychologische analyses van zijn personages. Hij geldt als een sleutelfiguur in de ontwikkeling van het literair realisme en biedt lezers diepgaande inzichten in de menselijke conditie. Zijn benadering duikt diep in de motivaties en het innerlijke leven van zijn protagonisten. Stendhals kenmerkende stem vangt de complexiteit van verlangen en maatschappelijke druk met scherpe humor en inzichtelijke observatie.
The author was only seventeen when he first rode south across the Alps in the
wake of Napoleon's armies, and he continued to travel and to live in Italy
until a few months before his death. It was the life of the country which
fascinated him, its spirit, the inner workings of its heart and mind. This
title presents a picture of Italy.
Headstrong and naïve, the young Italian aristocrat Fabrizio del Dongo is determined to defy the wrath of his right-wing father and go to war to fight for Napoleon. He stumbles on the Battle of Waterloo, ill-prepared, yet filled with enthusiasm for war and glory. Finally heeding advice, Fabrizio sneaks back to Milan, only to become embroiled in a series of amorous exploits, fuelled by his impetuous nature and the political chicanery of his aunt Gina and her wily lover. Judged by Balzac to be the most important French novel of its time, The Charterhouse of Parma is a compelling novel of extravagance and daring, blending the intrigues of the Italian court with the romance and excitement of youth. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The book is a reproduction of an original historical work, specifically designed in large print to enhance accessibility for readers with impaired vision. Published by Megali, a house dedicated to making historical texts more readable, this edition aims to preserve the content while ensuring it is accessible to a wider audience.
This work is a reproduction of a historical text, published by Megali, a company dedicated to making literature accessible for individuals with impaired vision through large print editions. The focus on accessibility highlights the importance of preserving and sharing historical works while ensuring they can be enjoyed by a wider audience.
A masterpiece of nineteenth-century literature in a fresh translation that fully captures the language, psychology, and social reach of Stendhal's original Fueled with a combustible mix of ambition, naivete, and Napoleonic ideals, Julien Sorel sets his sights on the heights of French society. But for the son of a provincial carpenter in post-Napoleonic France, the prospects for advancement are vanishingly narrow, the chances for glory rarer yet. After securing a toehold as a tutor to a wealthy family, Julien proceeds through a series of misadventures, illicit affairs, and lucky reversals to breach the ranks of French aristocracy--only to be undone by treasonous schemes, cynical romantic calculations, and an unexpectedly genuine and ultimately disastrous passion. Shocking at the time of its original publication, startling in its relevance today, Stendhal's masterpiece is a scorching social satire, a remarkably detailed portrait of a fraught moment in history and, as perhaps the first psychological novel, a brilliant precursor to modern literature at once comical and tragic, cerebral and passionate. This new translation faithfully reproduces the nimble wit, emotional depth, and social acuity of Stendhal's text. Distinguished translator Raymond N. MacKenzie includes an extensive introduction to Stendhal's world and time, as well as copious annotations that explain allusions and terms for the modern reader.
The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clelia, a heroine of ethereal beauty and earthly passion. The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must be viewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power.
Stendhal believed love comes in different forms, from passion and lust to vanity, the love of possessive desire. In this collection he muses on falling in love, how to cope with jealousy and whether infatuation can ever be overcome - and provides a selection of maxims giving advice for lovers. United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love . . . . .