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The Book of Hrabal

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An elegant homage to Czech storyteller Bohumil Hrabal, this novel is a tribute to blues music, saxophones, and the complexities of domestic life, while also reflecting on the years of communism in Eastern Europe. It explores the relationship between God and humankind through the lens of a Hungarian writer and his wife, Anna, a blues-singing mother of three (soon to be four), who endures her husband's challenging writing endeavors. Anna shares her memories and reflections with Hrabal, her thoughts oscillating between domestic issues and the injustices her family faced during the Stalinist 1950s, police harassment, and marital strains. Her husband becomes so consumed by his project on Hrabal that he struggles to write it. The narrative evolves into a literary love triangle, with Hrabal as Anna's confidant and an unseen presence in their marriage. Two angels, disguised as secret policemen, monitor the household, communicating with God via walkie-talkie. Their mission is to prevent Anna from terminating her pregnancy. When uncertainty arises, God himself, known as Bruno, appears, engaging with Hrabal, taking saxophone lessons from Charlie Parker, and attempting to persuade Anna to keep her child. However, his lack of musical talent contrasts sharply with his passion for jazz and blues. Esterhazy's brilliant style intricately weaves language, tone, and perspective into a playful narrative.

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The Book of Hrabal, Péter Esterházy, Judith Sollosy

Taal
Jaar van publicatie
1995
Bindwijze
(Paperback)
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Titel
The Book of Hrabal
Taal
Engels
Jaar van publicatie
1995
Formaat
Paperback
Aantal pagina's
168
ISBN10
0810111993
ISBN13
9780810111998
Reeks
Categorieën
Eerste editie
1990
Oorspronkelijke titel
Hrabal könyve
Beoordeling
4,05 van 5
Aantekening
An elegant homage to Czech storyteller Bohumil Hrabal, this novel is a tribute to blues music, saxophones, and the complexities of domestic life, while also reflecting on the years of communism in Eastern Europe. It explores the relationship between God and humankind through the lens of a Hungarian writer and his wife, Anna, a blues-singing mother of three (soon to be four), who endures her husband's challenging writing endeavors. Anna shares her memories and reflections with Hrabal, her thoughts oscillating between domestic issues and the injustices her family faced during the Stalinist 1950s, police harassment, and marital strains. Her husband becomes so consumed by his project on Hrabal that he struggles to write it. The narrative evolves into a literary love triangle, with Hrabal as Anna's confidant and an unseen presence in their marriage. Two angels, disguised as secret policemen, monitor the household, communicating with God via walkie-talkie. Their mission is to prevent Anna from terminating her pregnancy. When uncertainty arises, God himself, known as Bruno, appears, engaging with Hrabal, taking saxophone lessons from Charlie Parker, and attempting to persuade Anna to keep her child. However, his lack of musical talent contrasts sharply with his passion for jazz and blues. Esterhazy's brilliant style intricately weaves language, tone, and perspective into a playful narrative.