Norman Waddell Boeken

A fiery and intensely dynamic Zen teacher and artist, Hakuin (1686-1769) is credited with almost single-handedly revitalizing Japanese Zen after three hundred years of decline. As a teacher, he placed special emphasis on koan practice, inventing many new koans himself, including the famous "What is the sound of one hand clapping?" As an artist, Hakuin used calligraphy and painting to create "visual Dharma"--teachings that powerfully express the nature of enlightenment. The text translated here offers an excellent introduction to the work of this extraordinary teacher. Here, Hakuin sets forth his vision of authentic Zen teaching and practice, condemning his contemporaries, whom he held responsible for the decline of Zen, and exhorting his students to dedicate themselves to "breaking through the Zen barrier." Included are reproductions of several of Hakuin's finest calligraphies and paintings.

A fiery and intensely dynamic Zen teacher and artist, Hakuin (1685–1768) is credited with almost single-handedly revitalizing Japanese Zen after three hundred years of decline. As a teacher, he placed special emphasis on koan practice, inventing many new koans himself, including the famous “What is the sound of one hand clapping?” This English translation of Hakuin’s intimate self-portrait includes reminiscences from his childhood, accounts of his Zen practice and enlightenment experiences, as well as practical advice for students.

Never before published letters and uncollected short writings of R. H. Blyth, champion of Zen and the person who brought haiku to the world. Poetry and Zen assembles a remarkable literary feast: the letters, articles, translations, reviews, and selections from the papers of Reginald Horace Blyth (1898–1964). Following on the landmark success of Zen in English Literature and Oriental Classics (1942), Blyth’s voluminous writings on Zen, Japanese culture, and the Japanese verse forms haiku and senryū captured the imagination of English-speaking readers in the decades following World War II. His enlightening wit and inimitable style struck a particularly sensitive chord in the artistic community, providing inspiration to many poets and writers and helping to kindle global interest in Zen and haiku. Blyth’s penetrating insights on these topics in a series of books published between 1942 and 1970 helped lay the foundation for the remarkable expansion of Zen outside of East Asia, as well as the popularization of haiku as an international verse form that took place after his death. Poetry and Zen is the first collection of Blyth’s letters and short writings. The generous array of Blyth‘s literary output and personal writing on display here showcases the wide-ranging interests and brilliant mind of a pivotal figure in the history of modern Zen and Japanese poetry.