Andrew Crumey Boeken

"A wonderfully diverting and stimulating entertainment. Cunningly structured and as satisfying as an intricate piece of clockwork, it plays with narrative, revels in ideas and succeeds in being both fey and sharp, detached and compassionate. At a time when fiction gives all to the tired virtual realities of sex and violence, internets, Agas and middle-class Angst, it is a brilliant reminder of the power of the imagination to surprise, delight and open windows." David Coward in The Times Literary Supplement "Crumey does produce excellent post-modernist novels, each as concentric and cunning as the others. This is a triptych starting with D'Alembert penning his imagined memoirs. The literary equivalent of an Escher, the story has no identifiable end or beginning. Clever, entertaining, engaging"

Andrew Crumey's novels are renowned for their unique blend of science, history, philosophy and humour. Now he brings the same insight and originality to this story cycle whose title offers an ironic twist on the ancient doctrine of connectedness, the great chain of being. Here we find a blind man contemplating the light of an atom bomb, a musician disturbed by a conspiracy of radio waves, a visitor to Moscow caught up in a comic case of mistaken identity, a woman on a Greek island trying to become a different person. We range across time, from the Renaissance to a globally-warmed future, across light-years in search of hallucinogenic space-plankton, and into magical worlds of talking insects and bottled fire. Fans of Crumey's acclaimed novels will occasionally spot hints of themes and figures that have recurred throughout his fiction; readers new to his work will delight in finding subtle links within the pieces. Are they all part of some larger untold story? We have nothing to lose but the chains of our imagination: what lies beyond is a great change of being.

"First published in 2004 by Picador"--Title page verso.

Intertwining music, history, politics, and philosophy, this multi-layered classic unfolds over fifty years, presenting a gripping intellectual mystery. The author, acclaimed for six previous novels translated into 13 languages, delivers a thought-provoking narrative that promises to engage readers on multiple levels.

The narrative weaves together the lives of an elderly Scottish bookworm, a university lecturer, and the philosophical ideas of Jean-Jacques Rousseau. Through these interconnected strands, the novel explores themes of knowledge, aging, and the impact of literature on personal and intellectual growth. Its compelling structure and thought-provoking content earned it a place on the longlist for the Booker Prize, highlighting its literary significance and depth.

A bold and exuberant tale of childhood, space travel and telepathyRobbie Coyle is an imaginative kid. He wants so badly to become Scotland's first cosmonaut that he tries to teach himself Russian and trains for space exploration in the cupboard under the sink. But the place to which his fantasies later take him is far from the safety of his suburban childhood. In a communist state, in a closed, bleak town, the mysterious Red Star heralds his discovery of cruelty and of love, and the possibility that the most passionate of dreams may only be a chimera . . . 'Sputnik Caledonia should leave you breathless with admiration. A quantum leap forward for the Scottish novel' Scotland on Sunday 'A brio of a book . . . One for the boys, big and little - and for those of us who wonder just what does go on inside a boy's head' Spectator 'Andrew Crumey has fused a thrilling personal narrative with quantum mechanics in a way that somehow looks easy . . . Never has astrophysics seemed so touching and funny' Daily Telegraph 'There are echoes here of Alasdair Gray's Lanark; echoes of Jonathan Coe's What a Carve Up! . . . A real haunting triumph' Observer

"Pfitz is a surprisingly warm and likeable book, a combination of intellectual high-wire act and good traditional storytelling with a population of lovers and madmen we do care about, despite their advertised fictionality. Certainly Crumey's narrative gymnastics have not affected his ability to create strong, fleshy characters, and none more fleshy, more fleshly, than Frau Luppen, Schenck's middle-aged landlady, a great blown rose of a woman who express her affection for her lodger by feeding him bowls of inedible stew." Andrew Miller in The New York Times "Rreinnstadt is a place which exists nowhere - the conception of a 18th century prince who devotes his time, and that of his subjects, to laying down on paper the architecture and street-plans of this great, yet illusory city. Its inhabitants must also be devised: artists and authors, their fictional lives and works, all concocted by different departments. When Schenck, a worker in the Cartography Office, discovers the 'existence' of Pfitz, a manservant visiting Rreinnstadt, he sets about illicitly recreating Pfitz's life. Crumey is a daring writer: using the stuff of fairy tales, he ponders the difference between fact and fiction, weaving together philosophy and fantasy to create a magical, witty novel." Sunday Times