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Irmgard Hunt

    1 januari 1944
    Seelen-Schweben
    Recht ist fehl und fehl ist recht
    zueinander
    On Hitler's Mountain
    • On Hitler's Mountain is a powerful, intimate, riveting, and revealing account of a seemingly halcyon life lived mere paces from a center of evil and madness; a remarkable memoir of an "ordinary" childhood spent in an extraordinary time and place. Born in 1934, Irmgard Hunt grew up in the picturesque Bavarian village of Berchtesgaden, in the shadow of the Eagle's Nest and near Adolf Hitler's luxurious alpine retreat. The very model of blond Aryan "purity," Irmgard sat on the Führer's knee for photographers, witnessed with excitement the comings and goings of all manner of famous personages, and with the blindness of a child accepted the Nazi doctrine that most of her family and everyone around her so eagerly embraced. Here, in a picture-postcard world untouched by the war and seemingly unblemished by the horrors Germany's master had wrought, she accepted the lies of her teachers and church and civic leaders, joined the Hitler Youth at age ten, and joyfully sang the songs extolling the virtues of National Socialism. But before the end -- when she and other children would be forced to cower in terror in dank bomb shelters and wartime deprivations would take a harrowing toll -- Irmgard's doubts about the "truths" she had been force-fed increased, fueled by the few brave souls who had not accepted Hitler and his abominations. After the fall of the brutal dictatorship and the suicide of its mad architect, many of her neighbors and loved ones still clung to their beliefs, prejudices, denial, and unacknowledged guilt. Irmgard, often feeling lonely in her quest, was determined to face the truth of her country's criminal past and to bear the responsibility for an almost unbearable reality that most of her elders were determined to forget. She resolved even then that the lessons of her youth would guide her actions and steel her commitment to defend the freedoms and democratic values that had been so easily dismissed by the German people. Provocative and astonishing, Irmgard A. Hunt's On Hitler's Mountain offers a unique, gripping, and vitally important first-person perspective on a tumultuous era in modern history, as viewed through the eyes of a child -- a candid and fascinating document, free of rationalization and whitewash, that chronicles the devastating moral collapse of a civilized nation.

      On Hitler's Mountain
    • Hände wollen zueinander. Kunst will zu anderen, zum Leser, zum Beschauer, zum Zuhörer. Schriftsteller auf Treffen, Orchester, Singgruppen mit Dirigenten, Staaten, und Länder wollen zueinander. Das Leben und Schaffen der Hände ermöglicht ein Füreinander. Hände beglücken mit Bildern oder lassen Musik von Mensch zu Mensch ertönen. Die Hände der Tänzer fassen einander, schaffen das Miteinander wie auch im Gehen und Geben. Hände: Geburtshelfer der Kunst und der inneren Bewegung, die die schenkt, Umsetzer der Fantasien von Todessehnsucht oder Lebensbejahung. Schreiben ist Handwerk. Geschichten entspringen nicht immer der Wirklichkeit, sondern auch den Träumen, dem Surrealen und der Vorstellung vom nächsten Leben, oder einer fernen Vergangenheit, die heute ebenso unwirklich scheinen mag.

      zueinander