Die Ballade

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A. Bartl explores the definition of a ballad, introducing the collection. M. Conrad proposes a model for analyzing the ballad as a hybrid genre. P. Wojcik examines ballads from an anthropological perspective, considering them as stages for self-enactment. H. Krah investigates the narrative style of romances and ballads. E. Unglaub discusses the transformation of the Erlkönig from north to south, highlighting themes of loss and gain. H. Ullrich analyzes the dual nature of Bürger's ballads, blending bourgeois tragedy with grotesque heroism. S. Zilles focuses on masculinity in Schiller's "Der Taucher" and "Der Handschuh." F. Middelhoff reflects on Schiller's depiction of enlightened themes through the imagery of lions in "Der Handschuh." L. Ludescher addresses the representation of Native Americans in 18th and 19th-century German ballads. E. Axer examines memory politics in Ludwig Uhland's historical ballad cycle. M. Balcarová contrasts Mörike's and Brentano's portrayals of deceptive imagery. K. Geist analyzes Heinrich Heine’s "Die schlesischen Weber" as a social ballad. J. Kneževi´c reflects on poetic elements in German art ballads. N. Kasper discusses Stefan George's early ballads and their evolution. T. Lehner considers naivety and reflection in modern ballads. U. Gärtner critiques Erich Kästner's approach to the ballad form. K. Max investigates the concept of ballads in East Germany. O. Petras discusses the continuity of ball