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33 1/3 Brazilië

Deze serie duikt in het rijke weefsel van de Braziliaanse muziek en biedt diepgaande analyses van cruciale albums uit de 20e en 21e eeuw. Het verkent een breed scala aan genres, van de aanstekelijke samba en de revolutionaire tropicália tot rauwe rock en meeslepende hiphop. Elk deel biedt een gerichte verkenning, waardoor dit essentieel leesvoer is voor iedereen die de diepte en invloed van Braziliaanse muziek wil begrijpen.

Caetano Veloso's A Foreign Sound
Dona Ivone Lara's Sorriso Negro
Joao Gilberto and Stan Getz's Getz/Gilberto
Tim Maia's Tim Maia Racional Vols. 1 & 2

Aanbevolen leesvolgorde

  1. 1

    What makes a song sound foreign? What makes it sound “American,” or Brazilian? Caetano Veloso's 2004 American songbook album, A Foreign Sound, is a meditation on these questions-but in truth, they were questions he'd been asking throughout his career. Properly heard, the album throws a wrench into received ideas regarding the global hegemony of US popular music, and also what constitutes the Brazilian sound. This book takes listeners back through some of Veloso's earlier considerations of American popular music, and forward to his more recent experiments, in order to explore his take on the relationship between US and Brazilian musical idioms. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

    Caetano Veloso's A Foreign Sound
  2. 3

    At the height of Tim Maia's soaring fame, he joined a radical, extraterrestrial-obsessed cult and created two plus albums of some of Brazil's-and the globe's-best funk and soul music. This book will explore the career of the man often hailed as the James Brown or Barry White of Brazil, and the time of his radical transformation from a musician notorious for hedonistic living to a devoted follower of Manoel Jacinto Coelho's Rational Culture. After suddenly joining Coelho's cult in 1974 (which started first as an offshoot of the mystical Afro-Brazilian religion Umbanda), Maia gave up drugs and alcohol, threw away his material possessions, and released Racional Vols. 1 & 2 in the attempt to convert the entirety of Brazil and the world to the revelation of Rational Culture. Thayer explores this strange, brief, yet incredibly prolific period of Maia's life wherein the reigning soul and funk artist of Brazil produced two albums, an EP, and a recently unearthed tape containing almost another full album of funky jams laced with spiritual content and scripture. For just as quickly as Maia became entranced with Coelho did he become disillusioned with the cult, disavowing and destroying everything having to do with that experience and refusing to speak of it for the rest of his life.

    Tim Maia's Tim Maia Racional Vols. 1 & 2
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