Deze serie duikt in de duistere diepten van de gotische literatuur en film, en onderzoekt de evolutie en impact ervan op culturele en intellectuele geschiedenissen. Elke band biedt nieuwe perspectieven op hoe sleutelthema's zoals gender, religie en natie ons begrip van de gotische traditie hebben gevormd. Het is essentieel leesvoer voor iedereen die gefascineerd is door het macabere en de weerspiegeling ervan in kunst en verhalen.
This book explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race.
This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.
This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth- century interpretations of Shakespeare..
Defines the American Gothic and places it both within the context of the major movements of intellectual history and also within the context of the main issues of American culture.
Defining the American gothic tradition both within the context of the major movements of intellectual history over the past three-hundred years, as well as within the issues critical to American culture, this comprehensive volume covers a diverse terrain of well-known American writers, from Poe to Faulkner to Toni Morrison and Cormac McCarthy. Charles L. Crow demonstrates how the gothic provides a forum for discussing key issues of changing American culture, explores forbidden subjects, and provides a voice for the repressed and silenced.
This book covers Gothic writing and film from Henry James to Sarah Waters. Among its primary themes are the role of the ghost in relation to childhood and cultural mourning, the relationship between Gothic Architecture and the 'landscapes' of dream and nightmare and the interface between Gothic and Horror modes of writing.
Gothic Remains: Corpses, Terror and Anatomical Culture, 1764-1897 traces anatomical culture in Gothic texts from Horace Walpole to Bram Stoker, showing how the Gothic developed and evolved alongside the medical profession, and proposing a genealogy of some of the Gothic texts that marked the eighteenth and nineteenth centuries.
Royce Mahawatte critically compares the frightening, startling and melodramatic moments in George Eliot's fiction with excerpts from Gothic and sensation novels and in doing so argues that suspenseful plotting, and Gothic figures and tropes, play a role within Eliot's ambitions for the Victorian novel.
This book explores the evolution of the werewolf's new identities in contemporary culture, and some of the most interesting developments that have resulted from the werewolf's new mode of being.