Mariner
- 480bladzijden
- 17 uur lezen
'A splendid celebration of the grizzled figure who stoppeth one of three and the tragic artist who created him' - The Times
Deze serie duikt in de diepgaande verbinding tussen het christelijk geloof en de artistieke wereld. Het onderzoekt hoe kunst theologisch denken weerspiegelt en vormgeeft, en hoe geloof het creatieve proces inspireert. Elk deel biedt boeiende lectuur voor wie een dieper inzicht zoekt in de relatie tussen spiritualiteit en menselijke creativiteit in diverse artistieke uitingen.
'A splendid celebration of the grizzled figure who stoppeth one of three and the tragic artist who created him' - The Times
The good news of Jesus Christ is a subversive gospel, and following Jesus is a subversive act. Exploring the theological aesthetic of American author Flannery O'Connor, Michael Bruner argues that her fiction reveals what discipleship to Jesus Christ entails by subverting the traditional understandings of beauty, truth, and goodness.
Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.
What role does place play in the Christian life? In this STA volume, Jennifer Allen Craft gives a practical theology of the arts, contending that the arts place us in time, space, and community in ways that encourage us to be fully and imaginatively present in a variety of contexts: the natural world, our homes, our worshiping communities, and society.