Margaret Anne Hutton Boeken

“The contemporary” is an established term in a range of scholarly and disciplinary discourses, but what does it mean? Interweaving sections drawn from an (apparently) hypothetical and oxymoronic project—the writing of a literary history of “the contemporary”—with a critical analysis of the term(s) “the contemporary” and “contemporary” in the work of a range of theorists, Margaret-Anne Hutton sets out to expose the inconsistencies and ambiguities in its terminological usage, and to unpick some of the knots which bind the substantive and adjective. How can “(the) contemporary” function as a critical term, and how might we map its history?The Contemporary Condition series edited by Geoff Cox and Jacob Lund, Volume 08Copublished with Aarhus University and ARoS Art Museum

This book focuses on a little-known corpus of testimonial accounts published by French women deported to Nazi camps, and will be of interest to those studying modern French literature, women's studies and the Holocaust.

What is ‘the literary fantastic’ and how does it manifest itself in the texts of French and francophone women writers publishing at the close of the twentieth and start of the twenty-first century? What do we mean today when we talk of ‘the real’ and ‘realism’? These are just some of the questions addressed by the papers in this volume which derive from a conference entitled ‘The Fantastic in Contemporary Women’s Writing in French’ held in London in September 2007. This book sets out to refocus through a non-realist lens on the works of high-profile authors (Darrieussecq, Nothomb, Germain, Cixous and NDiaye) and some of their less highly publicised contemporaries. It analyses and mobilises a wide range of both gendered and non-gendered practices and theories of ‘the contemporary fantastic’ whilst critically interrogating both of the latter terms and their inter-relation.