A critical reassessment of the theory and theatre of Bertold Brecht, examining the influences of Brecht's aesthetics on the pre-eminent materialist critics of the twentieth century. Carney argues that an appreciation of Brecht's theory and theatre is essential to an understanding of contemporary critical theory.
This is a book for every young, old, conservative, liberal, and everyone in between. It's about the need to forgo partisan politics for the sake of American unity. Teddy Turple is a young boy who's confused and concerned about America's political scene. He sees the Redublicans and Bluemocrats bickering and blaming and asks for civility and respect. Young Teddy doesn't point fingers or place blame. He just asks for everyone to behave like adults so we can move forward together for America's future.
The book critically reassesses Bertold Brecht's theory and theatre, highlighting his significant influence on leading materialist critics of the twentieth century. It emphasizes the importance of Brecht's aesthetics for a deeper understanding of contemporary critical theory, suggesting that his contributions are vital for grasping modern analytical frameworks in literature and performance.
Focusing on the intersection of tragedy and politics, this study examines the works of notable contemporary playwrights such as David Hare and Caryl Churchill. It explores how these authors articulate the concept of the tragic within their political narratives, offering insights into their thematic concerns and stylistic choices. By analyzing their contributions, the book highlights the evolving nature of tragedy in modern English theater and its relevance to contemporary societal issues.