Robin Andersen Boeken

Examining the intricate landscape of media commercialism, this collection of essays addresses the influence of corporate media giants and the pervasive effects of advertising on various societal aspects, including politics and individual behavior. It offers a thorough critique that highlights both the far-reaching impact and inherent limitations of media commercialism in contemporary society, making it a valuable resource for understanding the complexities of modern media dynamics.

Forged over the course of a century, the connections between war and media run long and deep. As this book reveals, the history of war and its telling has been a battle over public perception. The selection of which stories are told and which are ignored helps justify past battles and ensure future wars. Narratives of protest and pain, defeat and suffering, guilt and abuse struggle to be heard amid the empowering myths of war and heroism. As Robin Andersen argues, the history of struggle between war and its representation has changed the way war is fought and the way we tell the stories of war. Information management, once called censorship and propaganda, has developed in tandem with new media technologies. Now, digital imaging creates virtual battlefields as computer-based technologies transform the weapons of war. Along the way, images on the nightly news, on movie screens, and in video games have turned war into entertainment. In the grip of virtual war, it is difficult to realize the loss of compassion or the consequences for democracy.