De burcht van eenzaamheid
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Een blanke en een zwarte jongen uit Brooklyn leven zich uit in graffiti en fantasieën over heldendaden van stripfiguren, maar een breuk is onafwendbaar nadat een van hen een moord heeft gepleegd.
Jonathan Lethem is een Amerikaanse romanschrijver, essayist en korte verhalenverteller, bekend om zijn innovatieve benadering van genre-literatuur. Zijn werken verweven vaak elementen van sciencefiction en detectivefictie, waardoor unieke en provocerende vertellingen ontstaan. Lethem onderscheidt zich door een diepgaande verkenning van thema's als identiteit, vervreemding en de aard van de werkelijkheid, waarbij hij regelmatig onverwachte wendingen en briljante proza gebruikt. Zijn vermogen om hoge en lage cultuur te mengen, maakt hem tot een belangrijke stem in de hedendaagse Amerikaanse literatuur.







Een blanke en een zwarte jongen uit Brooklyn leven zich uit in graffiti en fantasieën over heldendaden van stripfiguren, maar een breuk is onafwendbaar nadat een van hen een moord heeft gepleegd.
An unexpected visitor in a man's apartment pens a peculiar confession intended for the host who is not present. This intriguing scenario unfolds into a deeper exploration of secrets and personal revelations, as the guest's thoughts reveal insights into both his own character and the absent host's life. The narrative invites readers to ponder themes of identity, connection, and the impact of uninvited intrusions on one's private world.
'A detective novel of winning humour and exhilarating originality.' - Sunday TimesLionel Essrog is Brooklyn's very own self-appointed Human Freakshow, an orphan whose Tourette's Disease drives him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St Vincent's Home for Boys, he works for mobster Frank Minna. But when Frank is fatally stabbed and his widow skips town, Lionel attempts to untangle the threads of the case.
SOON TO BE A MAJOR MOTION PICTURE, MOTHERLESS BROOKLYN IS RELEASED IN CINEMAS DECEMBER 2019 'A detective novel of winning humour and exhilarating originality.' Sunday Times Lionel Essrog is Brooklyn's very own self-appointed Human Freakshow, an orphan whose Tourette's Disease drives him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St Vincent's Home for Boys, he works for mobster Frank Minna. But when Frank is fatally stabbed and his widow skips town, Lionel attempts to untangle the threads of the case.
Exploring a diverse range of subjects, the book delves into themes such as sex in cinema, drugs, and cyberculture, while reflecting on significant events like 9/11. The author challenges conventional wisdom and shares deep insights into the multifaceted nature of artistic vision. Personal experiences serve as a catalyst for creative expression, making the narrative both provocative and introspective.
The first novel by Jonathan Lethem (author of the award-winning Motherless Brooklyn) is a science-fiction mystery, a dark and funny post-modern romp serving further evidence that Lethem is the distinctive voice of a new generation. Conrad Metcalf has problems. He has a monkey on his back, a rabbit in his waiting room, and a trigger-happy kangaroo on his tail. (Maybe evolution therapy is not such a good idea). He's been shadowing Celeste, the wife of an Oakland urologist. Maybe falling in love with her a little at the same time. When the doctor turns up dead, Metcalf finds himself caught in a crossfire between the boys from the Inquisitor's Office and gangsters who operate out of the back room of the Fickle Muse.
Jonathan Lethem is perhaps our most active literary voice mining the genre margins of our culture. In this unique collection he creates an anthology that no one else could. He draws on the work of such unforgettables as Julio Cortazar, who presents a man caught between the ancient and modern worlds unable to say which is real; Philip K. Dick, who tells the story of a man trapped on a spaceship of the somnolent, unable to sleep and slowly losing his mind; Shirley Jackson, who takes us on a nightmarish trip across town with a young secretary; and Oliver Sacks, who presents us with an aging hippie who possesses no memory of anything that has taken place since the early seventies. What Lethem has done is nothing less than define a new genre of literature-the amnesia story-and in the process he invites us to sit down, pick up the book, and begin to forget. Also including: John Franklin Bardin, Donald Barthelme, Thomas M. Disch, Karn Joy Fowler, David Grand, Anna Kavan, Haruki Murakami, Flann O'Brien, Edmund White, and many others.
Anna Karenina left her husband for a dashing officer. Lady Chatterley left hers for the gamekeeper. Now Alice Coombs has her boyfriend for nothing … nothing at all. Just how that should have come to pass and what Philip Engstrand, Alice’s spurned boyfriend, can do about it is the premise for this vertiginous speculative romance by the acclaimed author of Gun, with Occasional Music.Alice Coombs is a particle physicist, and she and her colleagues have created a void, a hole in the universe, that they have taken to calling Lack. But Lack is a nullity with taste — tastes; it absorbs a pomegranate, light bulbs, an argyle sock; it disdains a bow tie, an ice ax, and a scrambled duck egg. To Alice, this selectivity translates as an irresistible personality. To Philip, it makes Lack an unbeatable rival, for how can he win Alice back from something that has no flaws — because it has no qualities? Ingenious, hilarious, and genuinely mind-expanding, As She Climbed Across the Table is the best boy-meets-girl-meets-void story ever written.
Omega, a mute, reluctant super hero from another planet, shares a strange destiny with a teenager, and they both face danger when a legion of robots and nanoviruses are sent from afar to hunt the two of them down.
The acclaimed author of "Motherless Brooklyn" and "The Fortress of Solitude" returns with a roar with this gorgeous, searing portrayal of Manhattanites wrapped in their own delusions, desires, and lies. Like Manhattan itself, Lethem's masterpiece is beautiful and tawdry, tragic and forgiving, devastating and antic, a stand-in for the whole world and a place utterly unique.