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Diana Athill

    21 december 1917 – 23 januari 2019

    Diana Athill was een Britse literair redactrice en auteur wiens carrière decennia van belangrijke literaire productie omvatte. Door samen te werken met enkele van de grootste schrijvers van de 20e eeuw, speelde ze een cruciale rol in het vormgeven van literaire landschappen. In haar eigen schrijven verkende Athill diepe menselijke ervaringen en reflecties met compromisloze eerlijkheid en scherp inzicht. Haar proza wordt gekenmerkt door precisie en subtiele observatie, wat lezers een gedenkwaardige en tot nadenken stemmende literaire reis biedt.

    Instead of a Book
    Don't Look At Me Like That
    Letters to a Friend
    Instead of a Letter
    After A Funeral
    Life Class
    • Life Class

      • 784bladzijden
      • 28 uur lezen
      4,5(15)Tarief

      Diana Athill, born in 1917, made her reputation as a writer with the candour of her memoirs. Celebrating her life and writing, this title brings together four of her best-loved memoirs, spanning her very English childhood, her life and loves during World War II, her publishing career at Andre Deutsch, and her reflections on old age.

      Life Class
    • After A Funeral

      • 240bladzijden
      • 9 uur lezen
      4,2(20)Tarief

      The story of Diana Athill's relationship with Didi - a gifted writer and an Egyptian in exile - and a remarkably honest, poignant look at love and grief.

      After A Funeral
    • Athill's debut, and a modern classic memoir: a moving story of love and loss, heartbreak and hope during the second world war.

      Instead of a Letter
    • Letters to a Friend

      • 352bladzijden
      • 13 uur lezen
      3,4(3)Tarief

      The warmth of a decades-long friendship unfolds through the correspondence between Diana Athill and American poet Edward Field. This epistolary memoir captures their shared jokes, joys, and struggles, showcasing Athill's signature intimacy and candor. With a blend of spontaneity and grace, the letters reveal profound insights into her life, making this work potentially more revealing than her previous acclaimed memoirs. Athill's literary prowess shines as she reflects on the depth of human connection.

      Letters to a Friend
    • Don't Look At Me Like That

      • 192bladzijden
      • 7 uur lezen
      4,0(91)Tarief

      England, in the mid-fifties. Meg Bailey has always aspired to live a respectable life. With her best friend, Roxane, she moves from secondary school to an un-Bohemian art college in Oxford. Under the watchful eye of Roxanne's mother, Mrs Wheeler, the two girls flourish in Oxfordian society. But Meg constantly longs for more. Not content to stay in Oxford, she finds a job in London. Roxane stays behind and marries Dick, a man of Mrs Wheeler's choosing. As Meg's independence grows, Dick suddenly appears in London for work. A connection to her past, Meg and Dick's friendship flourishes, blurring the lines of loyalty between what is and what was in a way that changes life for these three friends forever. As sharp and starling now as when it was written, this unflinching and candid book of love and betrayal encapsulates Diana Athill's gift of storytelling at its finest.

      Don't Look At Me Like That
    • A collection of candid, entertaining letters, spanning thirty years of wit, wisdom, gossip and intimacy.

      Instead of a Book
    • A sequel to the Costa Award-winning Somewhere Towards the End: a rich, humorous and intelligent consideration of growing old and what really matters in the end.

      Alive, Alive Oh!
    • Make Believe

      • 160bladzijden
      • 6 uur lezen
      3,7(9)Tarief

      Diana Athill's account of her turbulent relationship with Black Power activist Hakim Jamal in the 1960s: raw and unflinching, a memoir of friendship, love, mania and injustice.

      Make Believe
    • 3,9(952)Tarief

      Fresh re-issue of Diana Athill's candid memoir of a life spent working as an editor of some of the most celebrated writers of the post war generation.

      Stet
    • Written with Diana Athill's trademark insight and wry humour, a memoir of Diana's childhood, in England in the 1920s, that asks: does privilege equate to happiness?

      Yesterday Morning