Whitney Chadwick verdiept zich in de rol van gender en seksualiteit binnen het surrealisme, het modernisme en hedendaagse kunst. Haar onderzoek onderzoekt hoe klasse, ras en geslacht elkaar kruisen met cultuur en politiek, en belicht de geschiedenis van de bijdragen van vrouwen aan de visuele cultuur door de eeuwen heen. Chadwick's analyse biedt diepgaande inzichten in hoe kunstgeschiedenis is gevormd door diverse perspectieven. Haar schrijven daagt gevestigde narratieven uit en opent nieuwe wegen voor het begrip van artistieke expressie.
This pioneering book stands as the most comprehensive treatment of the lives, ideas and art works of the remarkable group of women who were an essential part of the Surrealist movement.
A beautifully written and elegantly constructed narrative that explores the intense, complex and far-reaching female friendships among the Surrealists during the 1930s, 1940s and 1950s.
A new edition of the groundbreaking book by Whitney Chadwick maps the complete history of women artists from the Middle Ages and the Renaissance to today. Art historian Whitney Chadwick’s acclaimed bestselling study challenges the assumption that great women artists are exceptions to the rule who “transcended” their gender to produce major works of art. While introducing some of the many women since the Middle Ages whose contributions to visual culture have often been neglected, Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, she also addresses the closely related issues of ethnicity, class, and sexuality. This revised edition features a completely redesigned interior and full-color illustrations. With a new preface and epilogue from this emerging authority on the history of women artists, curator and professor Flavia Frigeri, this revised edition continues the project of charting the evolution of feminist art history and pedagogy, revealing how artists have responded to new strategies of feminism for the current moment.
Charts the evolution of feminist art history and pedagogy since the 1970s, revealing how artists have developed and subverted the strategies of feminism. This title includes a discussion of some of the significant international women artists.
Discusses the collaborative relationships between Camille Claudel and Auguste Rodin, Vanessa Bell and Duncan Grant, Frida Kahlo and Diego Rivera, Anais Nin and Henry Miller, and Virginia Woolf and Vita Sackville-West and others