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Bookbot

Mark Joseph Johnson

    1 januari 1954
    The Byzantine churches of Sardinia
    San Vitale in Ravenna and octogonal churches in late antiquity
    • This book offers the first comprehensive study of octagonal churches from Late Antiquity (ca. 300-600 C.E.), tracing their origins to small funerary chapels of the fourth century. It analyzes physical and literary evidence for 35 such churches, culminating in the renowned San Vitale in Ravenna, dedicated in 547. Many of these structures no longer exist, while others are documented through nineteenth-century reports, recent excavations, or literary references. The study highlights the rarity of octagonal churches during this period, noting that most served funerary or martyrium purposes, marking the burial sites of Christian martyrs. A few functioned as memorials at significant Christian locations, such as Bethlehem and Capernaum, with the Great Church in Antioch serving as a cathedral. Numerous architectural drawings and color photographs complement the analysis. In the sixth century, some churches were retrofitted for regular liturgical services, and new designs integrated martyr shrines with standard liturgy. The design chapter discusses the octagons' dimensions, typically based on divisible diameters and simple proportional schemes like 2:1 and 3:2. The San Vitale chapter illustrates these principles, identifying the Byzantine foot as the measurement unit. This work is aimed at scholars and students of Byzantine and Late Antique architecture, as well as those interested in broader themes in architectural history, Byzantine

      San Vitale in Ravenna and octogonal churches in late antiquity
    • The Byzantine churches of Sardinia

      • 126bladzijden
      • 5 uur lezen

      This study offers the first comprehensive examination of Byzantine churches on Sardinia, aiming to integrate them into the broader discourse on Byzantine architecture. While local scholars have previously explored these churches, this work is unique in its thorough analysis of the entire corpus of Byzantine ecclesiastical architecture on the island, comparing it with similar structures elsewhere. It details the churches' site selection, plans, metrology, construction, and materials, focusing on significant buildings near urban centers like Cagliari, Tharros, and Sant'Antioco, alongside smaller churches in the western region. The introductory chapter outlines the Byzantine history of Sardinia and its ties to the Empire. Subsequent chapters examine two churches mistakenly attributed to the Byzantine era, and the Church of San Saturnino in Cagliari, which reflects architectural advancements from Justinian's reign. Further chapters analyze other cruciform churches and a few basilica-planned buildings from this period, highlighting their common cruciform design and domes. An in-depth analysis of this architectural style spans from the fourth to the sixth centuries, revealing that most churches date to the early Byzantine period and often served funerary purposes due to their cemetery locations. The book features numerous architectural drawings and color photographs, targeting scholars and students of Byzantine and Late Antique arch

      The Byzantine churches of Sardinia