Deze auteur duikt in het vroege Chinese denken, de vergelijkende godsdienstwetenschap en ethiek door de bril van de cognitieve wetenschap. Zijn werk benadrukt de integratie van geesteswetenschappen en wetenschappelijke disciplines, en onderzoekt hoe onze cognitieve processen ons begrip van deugd en handelen vormgeven. Lezers kunnen intellectueel rijke teksten verwachten die oude wijsheid verbinden met hedendaagse wetenschappelijke inzichten. De aanpak van de auteur biedt een uniek perspectief op menselijk gedrag en ethische besluitvorming.
Exploring the alcohol-soaked origins of civilization, this book delves into humanity's evolutionary desire for intoxication. It offers an entertaining and enlightening examination of how these historical and cultural aspects have shaped societies. Through a blend of history and anthropology, the narrative reveals the significant role alcohol has played in human development and social interactions.
Waarom alles beter gaat als je het niet te graag wilt
The Ancient Art of Effortlessness and the Surprising Power of Spontaneity
A deeply original exploration of the power of spontaneity - and why it's essential to our wellbeing, both as individuals and as a society.
This book systematically explores the personal spiritual ideal of wu-wei—translated as "effortless action"—in early Chinese thought. Edward Slingerland's analysis reveals that wu-wei embodies a broader set of metaphors related to a state of effortless ease and unself-consciousness, serving as a shared ideal for both Daoist and Confucian thinkers. He highlights a conceptual tension within this ideal, known as the "paradox of wu-wei," which raises the question of how one can consciously "try not to try." Methodologically, the work applies contemporary theories of conceptual metaphor to the study of early Chinese thought, offering insights that extend beyond this context. The exploration of wu-wei is pertinent to those interested in later East Asian religious thought and the Western "virtue-ethics" tradition. Additionally, the conceptual metaphor analysis and the principle of "embodied realism" provide a novel theoretical framework for comparative thought, religion, intellectual history, and the humanities. This work aims to introduce scholars in the humanities and social sciences to this methodology, demonstrating its application within a specific sub-field.