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James Dorson

    Counternarrative possibilities
    Fictions of management
    • Fictions of management

      • 301bladzijden
      • 11 uur lezen

      From the organization of private businesses and public services to the optimization of everyday life, management is a ubiquitous term today. Denoting efficiency and control, management has become a catchall term for successful living in neoliberal times. The term is so ubiquitous that it often avoids scrutiny outside of business schools and organizational theory. As the essays collected in ‘Fictions of Management’ show, however, management has a history closely bound up with cultural practices. While the meaning of management has been critically negotiated in literature since the industrial revolution, management theory in turn draws on cultural resources for animating technical rationality with engaging stories and corporate visions. Tracing the relationship between management and fiction in the United States, where the mutual influence between the two has been the greatest and shaped management culture globally, the contributors to this volume provide a unique perspective on changing forms of management through the lens of American literature and culture.

      Fictions of management
    • Counternarrative possibilities

      Virgin Land, Homeland, and Cormac McCarthy's Westerns

      • 360bladzijden
      • 13 uur lezen

      Counternarrative Possibilities reads Cormac McCarthy's Westerns against the backdrop of two formative tropes in American mythology: virgin land (from the 1950s) and homeland (after '9/11' ). Looking at McCarthy's Westerns in the context of American Studies, James Dorson shows how his novels counter the national narratives underlying these tropes and reinvest them with new, potentially transformative meaning. Departing from prevailing accounts of McCarthy that place him in relation to his literary antecedents, Counternarrative Possibilities takes a forwardlooking approach that reads McCarthy's work as a key influence on millennial fiction. Weaving together disciplinary history with longstanding debates over the relationship between aesthetics and politics, this book is at once an exploration of the limits of ideology critique in the twenty-first century and an original reconsideration of McCarthy's work 'after postmodernism'.

      Counternarrative possibilities