Don Chapman Volgorde van de boeken

A memoir based around articles written by the author

The story of women's liberation as told by their changing dress - in the public gaze and in private

This book looks at how historical linguists accommodate the written records used for evidence. The limitations of the written record restrict our view of the past and the conclusions that we can draw about its language. However, the same limitations force us to be aware of the particularities of language. This collection blends the philological with the linguistic, combining questions of the particular with generalizations about language change.

Set in the picturesque Willunga Basin of South Australia, the story follows Bruce River, a nearly sixty-year-old aged care worker grappling with the realities of aging and lost vitality. As he confronts his past as an overweight, divorced man, he faces a pivotal decision about embracing life or succumbing to decline. The narrative explores themes of love, self-discovery, and the challenges of aging, offering a poignant reflection on the choices that define one's later years.

Tracing the evolution of the Oxford Playhouse, this account highlights its journey from a 1880 production of Agamemnon to its establishment on Beaumont Street. It reflects on actress Jane Ellis' vision for a quality venue and the myriad of stars who have graced its stage, including Judi Dench and Rowan Atkinson. The book delves into the theater's management changes, architectural developments, and its dynamic relationship with the University of Oxford, while celebrating both its prestigious and popular productions throughout its history.