The status of images is fluid and constantly evolving, influenced by context and meaning. Rasha Salti and Thomas Keenan explore this dynamic in relation to justice, war, and protest, using their archives to examine images as memory, representation, and more, highlighting their unstable yet powerful nature.
Past Disquiet brings together contributions from scholars, curators and writers who reflect on artists' anti-imperialist movements of the 1960s and 70s and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw.
A visual index of Lebanon's urban ruins Perched on the edge of the Mediterranean, the city of Beirut was once a bustling site of modern architecture. Since the Lebanese Civil War, which broke out in 1975 and claimed over 120,000 lives before its cessation in 1990, many of Beirut's modernist gems have lain abandoned or ruined. Beirut Bereftprofiles 57 of these structures as indicative of the wider fragmentation of Lebanon. Lebanese writer Rasha Salti and photographer Ziad Antar generated a visual, textual and cartographic vocabulary to profile the skeletons of office towers, hotels and apartment blocks that overlook the serene Mediterranean. One such building, the Murr Tower, has become something of an emblem of the destruction and lost hopes of Beirut. Begun in 1974 and incomplete at the beginning of the war, this Corbusier-inspired structure now looms over a city trying to find its way again.