Cian Duffy Boeken

This comprehensive study delves into Percy Shelley's intellectual journey and his evolution as a poet. It explores the influences that shaped his thoughts and works, highlighting key themes in his poetry and their significance in the broader context of Romantic literature. The analysis provides insights into Shelley's relationships, philosophical beliefs, and the impact of his writings on subsequent literary movements. Through detailed examination, the book offers a fresh perspective on Shelley's contributions to poetry and his enduring legacy.

Renegotiating the cultural topography of the romantic period and the place of romanticism in subsequent cultural history, this collection focuses romantic writers' adaptation of source material and the adaptation in subsequent periods of romantic tropes and ideologies.

'Romantik. Journal for the Study of Romanticisms' is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780-1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of the journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms - and not least the connections and disconnections between them - hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).

Traces a multifaceted discourse about Denmark in British eighteenth-century and Romantic-period culture British Romanticism and Denmark shows how the articulation in British Romantic-period writing of the idea of a 'Northern' cultural identity - shared by Britain and Denmark and rooted in the classical Scandinavian past - played an important role in the emergence and development of Romanticism and Romantic nationalism in both countries. By addressing a wide range of Nordic as well as Anglophone scholarship, this study offers new perspectives on British, Danish and European Romanticisms, and on the relationship between them. Cian Duffy is Professor and Chair of English Literature at Lund University, Sweden

This book explores various forms of cultural influence and exchange between Britain and the Nordic countries in the late eighteenth century and romantic period. Broadly new-historicist in approach, but drawing also on influential descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, these essays not only constitute a substantial and innovative contribution to scholarly understanding of the development of romanticisms and romantic nationalisms in Britain and the Nordic countries, but also describe a pattern of cultural encounter which was predicated upon exchange and a sense of commonality rather than upon the perception of difference or alterity which has so often been discerned by critical descriptions of British romantic-period engagements with non-British cultures. The volume ought to appeal to a broad and genuinely international academic audience with interests in eighteenth-century and romantic-period culture in Britain and Scandinavia aswell as to undergraduates taking courses in eighteenth-century, romantic, and Scandinavian studies.